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View detailsspider web mesh
Show Parameters
- Original Prompt
- character: spider-man. From a first-person POV, the scene looks through a vast sheet of sticky spider_web mesh filling the foreground. Thick, glistening strands block parts of the view in a dark, night-time alley where brick walls, a metal fire escape, and glowing neon signs cast reflections on wet pavement. Spider-man stands further down the alley, his body angled slightly forward in a dynamic shooting stance. His left arm is outstretched toward the viewer with the wrist web-shooter activated, sending a thin strand of silk directly at the lens. The background alley recedes into atmospheric fog between tall buildings. The focus is sharp on the detailed web in the foreground, while spider-man is softly blurred behind it. The illustration is rendered in an anime style with vibrant colors, strong cinematic lighting, and dramatic shadows that carve deep contrasts along the alley’s surfaces. dynamic pose, excessive sticky spider_web mesh,
- Mode
- standard
- Size
- 1024 x 1024
Model & LoRA used
Similar Images
Show more親愛なる隣人(Spider-Man)
佐藤流星
親愛なる隣人(Spider-Man )2
佐藤流星
character: peter_parker, spider-man
1boy, solo, male, superhero, black_hair, short_hair, black_eyes, brown_hair, brown_eyes, full bodysuit, spider_web_print, red and blue costume, mask, white lenses on mask, dynamic pose, web-swinging, swinging, holding web line, one arm extended overhead, legs tucked, body twisted, from below, foreshortening, low angle, city, skyscrapers, sky, clouds, limbs spread, looking down, motion blur on background, wind effect, clenched hand, outstretched arm
The camera looks up from street level at a steep low angle, so the single figure of a young man in a form-fitting red-and-blue bodysuit with a fine black web pattern printed across the red panels hurtles across the pale morning sky above a corridor of glass-and-steel towers. His right arm is thrown straight up and forward, fist closed around the end of a taut white web strand that runs off the top edge of the frame; the line is under load, so it runs dead straight and the web loops bunch slightly where it knots at his glove. His left arm sweeps back and out for balance, elbow bent, fingers splayed. His knees are drawn up and twisted to his left, one boot sole tipped toward the lens in strong foreshortening so the near leg reads larger than the far one; the body twists at the waist, chest angled away from the camera and hips swung toward it. His head is turned down and to his right, chin tucked, lenses narrowed as he tracks the next hold, the web of seams on the mask pulled taut across his jaw so the fabric creases at the neck.
Behind and below him the buildings lean with the upward angle, receding in two rows, their windows catching cool white glints from the sun at upper left; the far towers simplify to flat blue-grey silhouettes hazy with distance. The sky occupies the upper third, a clean pale blue that thins to white near the left where the sun sits, and the light rakes his right side so his shoulder and the outside of his raised arm blazed with red while his left flank falls into a cooler blue shadow; a faint shadow of his leg drops across the rooftop ledge in the lower left corner. Airborne grit and one loose newspaper corner lift upward past him, showing the rising air of his arc. The whole background is streaked with a soft directional blur along his line of travel, but his own body is crisp, and the web line stays razor sharp against the sky where the blur does not touch it. Crimson, cobalt blue and hard clean black web lines are the only saturated colours; the city is steel grey and pale blue. Exhilarated, high-speed momentum.
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