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#Short Hair#muscular#Money#Thick eyebrows#Facial Hair#Closed mouth#Muscular male#Large Pectorals
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light particles, bokeh, lens flare, dutch angle, dynamic pose, dramatic lighting, depth of field, blurry background, bloom, subsurface scattering, chromatic aberration, portrait, cinematic, masterpiece, best quality, absurdres, perfect quality, detailed background, intricate details, perfect anatomy, detailed face, details, detailed skin, very awa, best quality, 1boy, rugged, muscular, male, holding money pov, holding money, pov, banknote, holding, Okuhito_BlueL, Muirobara style
Show Parameters
Size
1024 x 1024
Sampling Steps
16
Sampling Method
Euler a
CFG Scale
11
Negative
lowres, worst quality, bad quality, bad anatomy, signature, username, logo, watermark, artist name, old, bad hands

Model & LoRA used

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AI artwork
Avatar image of Joshua Froat
character: chris_redfield 1boy, solo, chris redfield, short black hair, beard, stubble, muscular, bare pectorals, bare shoulders, bare arms, flexing, biceps flex, double biceps pose, arms up, sly smile, smirk, half-closed eyes, looking at viewer, head tilt, from below, cowboy shot, dutch angle slight, shirtless, bare torso, gym interior, two-tone lighting The camera sits low and slightly off-axis, looking up past his left hip toward his chest so the two lifted arms converge overhead and his shoulders read widest of all. He is caught mid-flex, stripped to nothing above the waist: both arms bent up and out at shoulder height, fists closed on air, forearms taut, the left biceps a beat higher than the right so the pose never reads symmetrical, ribs flaring with a held breath, one hip cocked and his weight sunk into the right leg while the left knee turns out. His chin dips toward his raised right shoulder and lifts again in a wide, lopsided smirk โ€” one corner of the mouth pulled high, one brow arched above a half-lowered lid, eyes rolled down to the lens with the ease of someone who knows exactly what the pose is costing him. Short black hair sticks up in damp clumps; the stubble on his jaw and upper lip catches the light in individual grains. His bare chest and shoulders are slicked with a light sweat that beads at the collarbones and runs in one thin line down the sternum, and where his raised arms cut across the key light they throw two long diagonal shadows down his front and onto the floor behind him. He stands in a bare concrete-and-steel training room: a rack of dark iron plates sits out of focus behind his right shoulder, the floor is scuffed grey rubber, a tall frosted window on the left is the only source, cold blue-white daylight โ€” beyond its reach the corners of the room go to deep shadow with no second light. The palette stays tight: cool grey concrete and steel, blue-white light, the warm flushed red of his skin and lips the single point of heat. Quietly smug.
Joshua Froat

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