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Higa Tsutsuji, Food for the Soul
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 14
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark
Model & LoRA used
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Elegant Grey-Haired Maid
inari-kitsune00
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1girl, inside room, solo female, silver hair, crossed bangs, long sideburns, ponytail, purple eyes, narrow eyes, beautiful eyes, large breasts, long breasts, maid outfit, black blouse, long sleeve, apron dress, long skirt, white apron, tied around waist, masterpiece, mishima kurone_(style)
A9
s3
character: little_bel_(azur_lane). A full body shot from a front view features an aged-up, 20-year-old version of little_bel_(azur_lane) standing indoors. She has very long white hair styled in a half-up braid with hair falling between her eyes, paired with purple eyes and a delicate maid headdress. She is wearing a (black maid dress with white apron:1.2), consisting of a black long-sleeve blouse with puffy sleeves, a black ribbon bow at her neck, and a full flared skirt with layered white frills and lace trim on the hem and cuffs. Over this, she wears a crisp white waist apron with frills. Her attire is completed with white elbow gloves and white thighhigh pantyhose. She stands gracefully with her hands resting at her sides, her expression serene and poised. The indoor setting is clean and brightly lit, with the soft focus of the background emphasizing her detailed silhouette. The overall mood is elegant and refined, rendered as a high-quality anime illustration.
Seiya350
m2
1girl, loli, golden hair, very long hair, maid uniform, expressionless, arms behind back, solo, luxury room
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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