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- Original Prompt
- masterpiece, best quality, anime-style illustration, bright spring atmosphere, clean and soft lighting. 【キャラクター設定（固定）】 桐谷 美優（きりたに みゆ / Kiritani Miyu）。オリジナルキャラクターの女子高校生。 健康的で明るい雰囲気の日本人高校生。キャラクターの外見は同一人物として固定する。 【キャラクター容姿】 ブロンドのツインテール。 大きな琥珀色（amber）の瞳。 健康的で明るい肌。 元気で親しみやすい顔立ち。 高校生らしい自然な表情。 【服装】 紺色のブレザー（白いトリム入り）。 白いブラウス。 赤いリボン。 紺色のチェック柄スカート。 白いソックス。 ローファー。 【シーン】 春の通学路。 春一番の強い風が吹いている瞬間。 青空、舞い上がる花びらや葉、春の空気感。 明るく爽やかな春の雰囲気。 【仕草・動き】 強い風に吹かれている。 スカート押さえて、髪をかきがげている。 風で髪とスカートの裾が大きく揺れている。 笑っている。 【構図】 後ろからローアングル 【画風】 アニメ風、清潔感のある色彩、春の光。 高解像度、ロゴなし、透かしなし。
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 22
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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