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淹れたてを手渡す三つ編みの教え子

「ほ、ほんとに…飲むの…?///」 ああ、キミが淹れてくれたのなら飲みたいに決まってるじゃないか…ほら、コップ持って…見ててあげるからさ… 「は、はずかしいよぉ…/// うぅ…やだ、あんまり見ないで……ぁ…出ちゃぅ…んッ…///」 ーーシャアァァァ…ちょろろッ…ポタ…ぽた…❤︎ 「ぅぅ…こ、これでいい…?///」 おぉ〜上手にできたね、えらいえらい…キミの温もりを感じる生温かさだ、まさに淹れたてだね! 「ぅ…やだぁ…///」 それにこの鼻をくすぐる芳ばしい香り、思春期特有の黄ばみを帯びた透き通った琥珀色…直に浴びたかったぐらいだよ…う〜ん、最高だ…❤︎ 「ね、ねぇ…それ…おしっこ、だよ…?わたしの…ねぇ待って、やだ…ぜったい、汚いってッ…///」 ーーゴクッ… ん〜❤︎ 濃い味だね、仄かな酸味と独特な塩味…可愛らしいキミが搾り出してくれたって事実がまたスパイスとなってより一層美味しく感じるんだよ…ふふ、キミのオシッコは汚くなんてないし、淹れたてを直飲みしたいくらいさ… 「うぅ…そ、そうなの…?でもぉ…/// えっ!?ゃ、やだっ…まだ、拭いてなッ…ひぁッ///」 ーーぺろっ❤︎ ちゅっ❤︎ じゅるるっ❤︎ 「んッ…あっ❤︎/// だ、だめっ…だよぉ…/// 汚いからぁ…んぁッ!そんな、吸っちゃ…やぁッ❤︎///」 拭いたらもったいないじゃないか、ほらちゃんと脚を広げて、僕が綺麗に舐め取ってあげるよ…ふふ、今日も暑かったしキミも汗だくだったからねぇ…甘酸っぱい汗で蒸れた女子特有のニオイと第二次性徴期の割れ目に垂れた残尿の味…たまらないなぁ 「だめ…だめぇ…舐めちゃ…!そこ…そこぉ…❤︎ き、きもち…きもちいぃッ❤︎///」 ふふ、キミは相変わらず敏感だなぁ…ダメって口では言っても本当は嫌がっていないし、それに僕の言うことを聞いてくれる可愛い生徒だよ…そんなに僕のことが好きかい? 「先生…すき、しゅき…❤︎/// やめないで…先生ぇ…んぁ…きらいに…ならないでぇ…ッ❤︎ わたし…なんでも、するからぁ…ずっと、しゅきだからぁッ…ぃ、イクッ…!イッちゃいましゅ…ッ❤︎///」 ーーこの子は僕の大切な生徒だ…先生と生徒という立場だが、家庭環境があまり良くなかったことやクラスにも馴染めていないこと、彼女の悩みを聞いていくうちに、彼女は僕に好意を持っていった… 元々依存体質だった彼女は僕の家に入り浸るようになっていた…男女の関係になるのもそう時間はかからなかった、僕が教師を辞めることになったことでさらに僕を強く求めるようになってしまったのだ… 正直、僕は彼女に嫌われるようにと、変態的なアブノーマルプレイを強要するも…彼女にとっては僕と離れることの方が不安が強く、順応していき…依存的な部分で言えば、カラダの繋がり…俺を満足させることが彼女の唯一の方法となっていた… 「ーーねぇ…先生…?わたし、どんなことされても…すきだから…先生がしたい時、いつでもわたしが…性処理してあげるから…なんでも、するから…❤︎ だから、いなくならないでね…?///」

#blush#Sweat#Pee Desperation#Cup#Drink#Braid#Girl#Twin braids#pee#Teacher and student#Peeing Girl
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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