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- , semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, expressive eyes, 1人の成人男性、日本人、ヴィジュアル系バンドのドラマー、イケメン、美形、中性的で美しい顔立ち、女性を思わせるほど整った顔立ち、均整の取れた顔、左右対称の顔、小顔、滑らかなフェイスライン、繊細で整った目鼻立ち、大きく印象的な瞳、優しいタレ目、光のあるグレーの瞳、淡いグレーのカラコン、透明感のあるグレーの瞳、長いまつ毛、ぷっくりとした涙袋、整った鼻筋、柔らかな唇、透明感のある白い肌、陶器のようになめらかな肌、上品で妖艶な雰囲気、 女性的なヴィジュアル系メイク、華やかなヴィジュアル系メイク、濃いブラックとピンクのスモーキーアイメイク、目元全体に広がる濃いスモーキーアイシャドウ、黒とダークグレーのグラデーションアイシャドウ、濃くはっきりとした上下のアイライン、目尻を長く大きく跳ね上げたアイライン、下まぶたまでしっかり入ったアイメイク、涙袋メイク、ノーズシャドウ、自然なシェーディング、艶のあるリップ、ダークで退廃的なヴィジュアル系メイク、ゴシックメイク、ロックメイク、華やかなステージメイク、メイク映えする美しい顔立ち、 艶のあるローズピンクのストレートロングヘア、高い位置で結んだ細めのツインテール、長い前髪、片目に少しかかる前髪、長い横髪、艶のある髪、髪一本一本まで丁寧に描写、 高身長、細身でしなやかな体格、モデル体型、長い首、美しい手、長い指、 黒を基調とした豪華なヴィジュアル系ステージ衣装、黒いレザー、黒いレース、黒いフリル、ピンクのアクセント、シルバーアクセサリー、シルバーピアス、口ピアス、ドラムスティックを持ってドラムを演奏している、 ライブステージ、ピンクと白のスポットライト、ライブハウス、スモーク演出、客席最前列から見上げる視点、顔中心の構図、バストアップ、腰から上、視線はこちらを見る、映画のようなライティング、被写界深度、背景の観客はぼかし、不穏な雰囲気、妖艶な雰囲気、退廃的なゴシックロックの世界観、圧倒的な存在感、 最高品質、最高画質、超高解像度、超高精細、細部まで丁寧に描写、顔のディテール重視、メイクを強調、目元を強調、瞳を強調、肌の質感まで精密に描写、髪の毛一本一本まで精密に描写、衣装の質感まで精密に描写、アクセサリーまで精密に描写、艶のある質感、シャープな描写、顔メインの構図 , hair, cute, semi-realist, 1boy, beautiful_eyes, handsome, cool, mysterious, masterpiece, ((Korean_style:1.4)), ((aegyo_sal)), (focus_face), (soft_lips), ((male_focus:1.2))
- Size
- 768 x 1280
- Sampling Steps
- 12
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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えむ
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clean thin anime lineart, soft airbrush gradient shading, hybrid cel and digital painting, subtle painterly soft blending, layered illustration eyes, faint controlled glow, narrow selective glossy specular, anime, sharp lineart, high contrast, deep shadows, high-gloss texture, rapper girl. pink short hair. pink eyelashes. light blue eyes.
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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