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勇者醫院醫生
這幅畫真讓我著迷！醫院制服和藍髮的設計總是能帶來清新又充滿活力的感覺，我特別喜歡這個角色那自信又有點妩媚的表情。期待我能帶來更多有趣的創作，也歡迎大家留言支持喔！別忘了點贊和關注，我們下次見！
Show Parameters
- Original Prompt
- 1girl, , (((masterpiece))), (((best_quality))), blush, sweat, voluptuous_body, thick_thighs, huge_hips, glossy_skin, shiny_skin, huge_breasts, hot_gilf, plump, , super_gigantic_breasts, juicy_lips, mature_female, large_breasts, curvy_girl, curvy_body, mature_woman, big_buttocks, bbw, , ,priestess (female priest) (dq3), priest (dq3), aqua hair, long straight hair, swept bangs, red eyes, priest (dq3) (cosplay), blue priest hat (mitre), blue tabard, orange bodysuit, yellow forearm gloves, yellow mid-calf boots, mace, staff, weapon, cross, cross print, print headwear, solo focus, torn clothes, blush, skin tight,
- Size
- 720 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,cropped legs, cropped body, out of frame, bad anatomy, missing legs, missing feet, extra limbs, deformed, cut off, low angle close-up, portrait,water mark,words, four fingers,six fingers,blurry hands, blurry fingers, blurry fingernails, deformed hands, deformed fingers, bad hands, mutated hands, extra fingers, missing fingers, fused fingers, poorly drawn hands, low quality hands, ugly nails, deformed nails, bad nail details
Model & LoRA used
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1girl, solo, cowboy shot, anime, anime screencap, slender, sean ari, platina blonde hair, long hair, grey eyes, small breast, priest \(dq3\) \(cosplay\), dragon quest iii, multiple mitre, blue tabard, orange bodysuit, gloves, boots, standing, holding staff, front view, smile, curvy, small hip, traditional media, fantasy, cowboy shot, masterpiece, best quality, amazing quality, castle
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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