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AI art "test 3"
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test 3

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Avatar image of ぽみ (闇堕ち)
solo, 1girl, upper body, portrait, long straight purple hair, purple eyes, navy gothic dress, high collar, lace trim, synthetic cubism, collage-like elements, bold geometric patterns, flat color planes, mixed media, sharp angles, abstracted subject matter, multiple viewpoints, rich colors, geometric fragmentation, faceted surfaces, interlocking shapes, looking at viewer, neutral expression, bare ears, hair unadorned, large head-to-frame ratio, head turned in profile and three-quarter at once The picture is built from a bust seen simultaneously from profile, three-quarter and slightly from below, so the girl's head is drawn twice in a single interlocking mass: a purple profile with the nose in a crisp wedge on the left, and a purple three-quarter face with both eyes on the right, the two planes butted together along one hard angular seam that runs from crown to jaw. Her long straight purple hair does not fall in strands but in flat vertical slabs, some deep violet, some lavender, some pale lilac, each cut as an acute trapezoid and stacked in overlapping registers so the hair reads as combed, segmented and straight at the same time; one slab swings out to the right and is cropped by the frame edge. The purple eyes are drawn as faceted almond shapes, one shown frontally with a circular pupil, one in profile as a narrow dark sliver, both ringed by a hard graphic lashline. Her navy gothic dress occupies the lower two-thirds: a high navy collar cut as a sharp chevron under the chin, the bodice broken into interlocking navy, indigo and black planes with a lace-trimmed edge drawn as a row of alternating notched triangles, and one tatted lace cuff at the throat rendered as a small dense pattern of white-inked arcs pasted over the paint. All edges of the figure are sharp and drawn, not softened. The ground is a collage: torn and cut paper fragments in ochre, cobalt, vermilion and turquoise, glued in overlapping diagonal bands with visible deckled fibers and a faint shadow under each edge, one fragment drawn as music staves, one as a woven check that sets up the bold geometric patterns, all of them laid flat with no attempt at perspective behind her. Around the head, interlocking shapes lock like puzzle pieces: a brick red wedge behind the profile, a mustard triangle under the jaw, a teal quadrant behind the hair slab. Palette is disciplined and rich: navy, indigo and black in the dress; violet through lavender in hair and iris; ochre, cobalt, vermilion, turquoise and cream in the collage ground, with a single warm orange plane tucked under the chin to make the skin vibrate against the dark collar. Nothing here is lit by a real lamp: value contrast alone carries form, each flat plane sits at one value and the darkest blacks gather in the collar, the lashline and the seam between the two faces, so the picture is constructed, not modelled. She looks straight out at the viewer from the frontal eye, chin slightly lifted in the profile side, mouth a short horizontal stroke set between the two views: a cool, self-possessed stare. The whole surface is faceted, cut-and-pasted, hard and forward, geometric and confident.
ぽみ (闇堕ち)

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