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meria-

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1girl, white background, white walls, white floor, white ribbon, silent, black edges, wall corners, hair shadow, eyes, dark erosion, breathing floor, undulating surface, living material, pulsating walls, motionless girl, throbbing background, swaying camera, black patterns, arms, neck, fingertips, lace clothing, same pattern, empty room, girl's outline, fixed camera, moving background, unsettling atmosphere, slight slider movement, singing starts, stationary scene, swaying ribbon, screen distortion, floor undulation, approaching walls, voice without mouth movement, singing stops, empty room continues breathing
Show Parameters
Original Prompt
--- Color Script Scene1 ほぼ真っ白 白い壁 白い床 白いリボン 無音 --- Scene2 黒い縁が増える 壁の角 髪の影 瞳 少しだけ黒が侵食する --- Scene3 床が呼吸する 床が柔らかい 波打つ 水ではない 肉でもない "生きた素材" --- Scene4 壁が鼓動する 少女は動かない 背景だけが脈を打つ カメラも呼吸に合わせて揺れる --- Scene5 黒い縁が身体へ入る 腕 首 指先 服のレース すべて同じ模様になる --- Scene6 最後 少女はいない 部屋だけ残る 壁の模様を見ると 少女の輪郭だけが浮かんでいる --- カメラ 基本は 固定カメラ 動かさない。 代わりに 背景が動く。 これがかなり不気味になります。 --- たまに 1〜2cmだけ スライダー移動。 視聴者は 「動いた？」 くらいしか感じない。 --- 演出 歌が始まる 画面は静止。 少女も静止。 でも リボンだけ揺れる。 --- 「きゅ」 画面が1フレームだけ歪む。 --- 「る」 床が波打つ。 --- 「まだ」 壁が近付く。 --- 「呼ばないで」 口は動かない。 声だけ聞こえる。 --- ラスト 歌が止まる。 映像だけ続く。 10秒。 誰もいない。 部屋だけが 呼吸している。 ---
Size
768 x 1280
Sampling Steps
15
Sampling Method
Euler a
CFG Scale
3.5
Negative
(more than 4 people:1.4),5 people, extra people, (worst quality:1.2), (watermark, signature, text, logo:1.3), (censored, mosaic:1.2)

Model & LoRA used

Vidrohằh - AI Model cover image

SDXL

Vidrohằh
6.83k

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伊
1girl, summer, score_9, score_8_up, score_7_up, source_anime, masterpiece, intricate details, ultra hires, illustration, detailed, 4k, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic, mo4, painterly gothic-moe illustration, rough heavystroke rendering, desaturated monochrome palette, muted accents, intense dim lighting, soft bloom lighting, soft hazey bloom filter, painterly strokey texture, painterly skin rendering, painterly brushwork, neon_haze, soft lighting, pale skin. Beautiful, dark, horror, whole body covered in white clothes, huge breasts. Masterpiece, best quality, highly detailed, absurdres, dark horror, gothic biological horror, anime illustration. A gigantic monstrous woman resembling a massive nest of living flesh, an enormous organic mass spreading throughout the corridor, vaguely feminine upper body emerging from the center of the fleshy nest, distorted humanoid silhouette, countless intertwined fleshy strands, thick organic tendrils, layered membranes, irregular fleshy cavities, tangled biological structures resembling a grotesque nest, pale flesh mixed with dark crimson and deep burgundy colors, mysterious and unsettling beauty, inhuman anatomy, multiple elongated limbs partially emerging from the mass, eerie feminine face partially embedded in the organic structure, hollow unsettling eyes, motionless and ominous presence, overwhelming scale, organic growth covering the walls, floor and ceiling, inside the luxurious corridor of an extravagant ocean liner, elegant golden decorations, polished dark wooden walls, ornate brass fittings, intricate wall sconces, plush red carpet, elaborate ceiling moldings, expensive vintage interior design, grand passenger ship hallway, warm golden chandelier lighting contrasting with the grotesque creature, dim atmospheric shadows, cinematic composition, the creature dominating the entire corridor, strong sense of scale, claustrophobic atmosphere, intricate textures, unsettling contrast between luxury and biological horror, no visible people.
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Avatar image of Gr3ylok
Inside a forgotten maintenance tunnel beneath a megacity, an illegal neural network has physically linked hundreds of cybernetic humans into one crawling biomechanical organism. Bodies are interconnected through spinal ports, tangled cables, synthetic musculature and enormous bundles of glowing nerves, forming a serpentine mass stretching deep into darkness. Individual faces periodically emerge from the structure before being absorbed again beneath translucent artificial tissue. Thousands of mechanical hands drag the organism slowly through the tunnel while broken implants whisper fragments of advertisements, prayers and error messages simultaneously. Red emergency lights, wet concrete, cyan implants glowing beneath flesh, industrial cyberpunk body horror, extreme grotesque biomechanical anatomy, suffocating claustrophobia.
Gr3ylok

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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