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少し苦そうでまったりした曲をSuno AIで公開しました。よかったらゆっくり聴いていってネ 曲のリンクはコチラでございます↓ https://suno.com/s/RNZgvBJAClNg7jcd

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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no humans, still life, mug, coffee mug, drink, coffee, steam, coffee beans, scattered, heart, english text, text, "It's Coffee Time", high angle, from above, centered composition, dark brown background, warm color palette, crayon medium, line-free, soft color blocks, atmospheric lighting Viewed from a slightly elevated angle looking down onto a warm tabletop, a ceramic coffee mug sits upright at the focal point, completely devoid of people. The mug is filled to near the brim with a steaming hot dark brew, its surface crowned with a delicate cream heart motif while curling wisps of translucent white steam drift vertically upward. Scattered naturally around the base of the mug, dozens of glossy, deep dark brown roasted coffee beans rest directly against the surface, each casting a soft, compact contact shadow onto the ground plane. Bold, solid black lettering in the center of the composition clearly displays the English text "It's Coffee Time". The background is an unbroken, deep rich brown field illuminated by soft, atmospheric warmth that produces gentle specular highlights along the rim of the cup. Rendered in an anime illustration aesthetic with crayon-like texture and line-free soft color blocks, maintaining visible surface tooth across an inviting palette of espresso, burnt umber, chocolate, and warm cream tones. Cozy and inviting.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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