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View details新山聡美(大奥)
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- Original Prompt
- masterpiece, 最高品質, ultra-detailed, 8k wallpaper, 日本の伝統的なお城の御殿の内部, 格式高い金碧障壁画の大広間, 画面の中央に凛として正座する美しい女性のクローズアップショット, 浅い被写界深度(背景の柔らかなボケ味), 畳の木目と金箔が鈍く輝く厳かな自然光 BREAK (大奥の衣装で正座をする美しい女性): 豪華な畳敷きの大広間の中央に美しく正座している1人の美しい女性(Niiyama Satomi), 髪型は江戸時代の大奥の上流階級を象徴する、前髪を長く伸ばして両肩の前に真っ直ぐ垂らした艶やかなストレートのロングヘア(下げ髪・おすべらかし風), 正座をした太ももの上に両手を上品に重ねて、カメラに向かって優しく微笑んでいる高貴で明るい笑顔, 清楚で知的、そして凛とした気品にあふれる美しい表情 BREAK Niiyama Satomi is BREAK (豪華絢爛な大奥の打掛と衣装のディテール): 彼女が着用しているのは江戸時代の大奥の最高格式の気品ある婚礼衣装, 白や淡い金を基調とし、大輪の牡丹や藤の花、黄金色の桐の葉が極彩色で美しく刺繍された高級な織物の打掛(うちかけ), 打掛の襟元や袖口から覗く鮮やかな朱色と純白の着物(小袖)の美しいレイヤー構造, 高級なシルク独特の艶やかな光沢と重厚な織り目のディテール BREAK (絢爛豪華な金碧障壁画と折上格天井): 彼女の背後を埋め尽くす眩しい金箔の壁面と襖絵, 壁に墨と深い緑色でダイナミックに描かれた巨大な松の木の障壁画, 天井に広がる格子状に美しく組まれた黒い漆塗りの折上格天井(ごうてんじょう), 床一面に敷き詰められたい草の畳の美しい質感, 誰もいない静まり返った歴史的な大広間の厳かで神秘的な雰囲気
- Mode
- ultra
- Size
- 1536 x 1536
- Negative
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Model & LoRA used
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和室でくつろぐ黒髪の女性
AI-Miori
糖分
character: kokoro_(doa)
1girl, solo, full body, standing, three-quarter view, looking at viewer, long straight hair, dark brown hair, side-parted bangs, blue eyes, gentle smile, slight smile, furisode, gradient kimono, pink and white kimono, long sleeves, floral print, cherry blossoms, chrysanthemums, wide obi, geometric pattern, obi knot, white tabi, tatami, shoji
Full-body three-quarter shot. A young Japanese woman stands in an elegant, poised stance atop woven straw tatami mats, her body turned in a gentle three-quarter orientation while her head turns forward to look directly at the viewer. Clear blue eyes carry a calm, warm expression, paired with a gentle and natural slight smile on her lips. Her dark brown hair is long, smooth, and straight, falling down her back with tidy, neatly side-parted bangs sweeping across her forehead.
She is dressed in a magnificent furisode kimono featuring a seamless ombre gradient that transitions from crisp white across the shoulders and chest into soft blossom pink, deepening to rich petal pink along the hem and the floor-brushing swinging sleeves. The silk fabric is densely embellished with classical traditional motifs, displaying blooming red, orange, and golden-yellow chrysanthemums alongside scattered pink and white cherry blossoms intertwined with delicate golden wave scrollwork. Fastened firmly around her waist is a stiff, wide brocade obi adorned with precise interlocking geometric diamonds and hexagons in burnished gold, dark brown, and crimson thread; her three-quarter turn allows the ornate, sculptural multi-looped knot of the obi to be clearly seen extending behind her back.
Her weight rests gracefully on her rear foot, with both feet clad in pristine, form-fitting white split-toe tabi socks resting flat against the tatami grain. One hand is lightly clasped over the other in front of her midriff, fingertips delicately grasping the inner edge of her sleeve so that the patterned silk hangs in structured, heavy folds. Soft daylight diffuses evenly through the translucent paper squares of a wooden shoji screen on the side, catching the metallic sheen of the obi's gold threading and casting subtle, clean contact shadows beneath her tabi-clad soles. Serene and elegant.
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