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夜空の魔女・アカリ

私はこの美しいキャラクターに一目惚れしました!彼女の繊細なレースとセクシーな衣装、そして夜空と月のモチーフがとても魅力的です。彼女の魅力に引き込まれるようで、何度も眺めてしまいます。もし気に入ったらいいねやフォローして、次の作品もお楽しみに!コメントもお待ちしていますね〜

#long hair#Black hair#Girl
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1girl, black_hair, long_hair, masterpice, ultra_detailed, looking_at_viewer, elegant_dress, high_heels, japanese_clothes, seductive_smile, standing
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Original Prompt
(cowboy shot), (深夜、高級ホテルのプール併設のバーカウンターで並んでモデル立ちする), (笑顔、彼女達は前で見ている彼氏を見つめて大好で愛を感じて股間を濡らす。), (黒髪ロングストレート, 小顔, 日本人の顔, 年齢28歳, AV女優裸体, ヒールを履く), (二人の彼女達の3サイズが75・65・70, 身長は165センチ,並んでお喋り), (性格は高飛車, 胸はいつも張ってて形が良い, 乳輪は小さい, 肌は艷やか, 乳房を揺らす), (股間はスリムで股下は長い、脚が長に見える。, アンダーヘアーは綺麗に手入れされている), (自らの乳房を揉んで乳房を魅せる), (膣中の彼氏の精液は溜まって温かくて気持ち良くて気分が良い), (自然と開いた股間の割れ目から彼氏の精液が脚に伝って大量に床に流れ落とす), (自らの股間の割れ目を手で触ってアピールして他の周りの彼女達と股間の割れ目の穴を露出して精液を大量に脚に床に垂らして並んでモデル立ち), (彼氏のペニスを背後から膣口に奥まで挿入して激しく腰を振って奉仕する), (擬音を出して喘ぐ),
Size
784 x 1400
Sampling Steps
24
Sampling Method
Euler a
CFG Scale
5
Negative
(a penis does not grow between a woman's legs., Inaccurate female body, no penis between her legs.), (badhandv4, nixeu_extranixeu_extra), (a man's face), (light source), (extra leg), (lnaccurate human body), (Inaccurate shadows), (Inaccurate female arm), (extra fingers), (extra hands), (children's body), (child's face), (username, a man's face, male body), (text, luster), (worst quality, low quality:1.6, male body), (zombie, greyscale, cropped, lowres, jpeg artifacts, signature, mask, watermark, username, blurry, artist name, trademark, monochrome, watermark, title, multiple view, reference sheet, jpeg, txt, artifacts, animal ears, glasses), (flower hair ornament), (lnaccurate shadows), (sunglasses, glasses ,tennis racket), (animal ears ,pompon ,txt), (nurse cap, pompom, hide pubic hair, hide semen, hiding nipple erection, non-erect nipples and clitoris, hidden womb, boyfriend, man),

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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