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Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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Zara
ごま
yamada_tayama, red_eyes, red_hair, bangs, earrings, choker, sidelocks, piercing, mature female, white_dress, black_jacket, leather_jacket, adult woman, original character, long reddish-brown hair with subtle deep burgundy red highlights, medium-length messy layered hairstyle, loose slightly tousled hair falling around the sides of the face and neck, straight blunt bangs across the forehead, distinctive long side locks framing both sides of the face, slightly uneven natural strands, shorter back section with a small loose tied section at the back, subtle messy texture, reddish-brown eyes matching her hair color, clearly visible irises, mature feminine face, wearing a black leather choker with a small metallic ring, multiple small silver ear piercings clearly visible along both ears, several small silver earrings and subtle metallic ear studs, small ear accessories, subtle dark eyeliner and slightly smoky eye makeup, confident relaxed expression, wearing a fitted short white bodycon mini dress with long sleeves, smooth fabric, rounded neckline, black leather belt around the waist with a rectangular metallic buckle, sheer black thigh-high pantyhose, white mid-calf leather boots with chunky soles, black leather biker jacket worn open and casually over the shoulders, natural leather folds and texture, sitting casually in a hidden smoking area behind a neighborhood Japanese supermarket, sitting sideways on a large wooden crate used as a makeshift seat, one leg slightly extended forward while the other leg is bent naturally, both feet visible, relaxed posture, upper body leaning slightly backward against the wall, one arm resting casually on her raised knee, the other hand holding a lit cigarette near her face, thin smoke drifting upward, shoulders relaxed, head slightly tilted, looking toward the viewer with a cool, calm and mildly tired expression, effortless body language, confident but not exaggerated, quiet hidden area behind a Japanese supermarket, large rear delivery door with small windows, concrete wall, stacked wooden crates and cardboard boxes, vending machine nearby, large standing ashtray, metal service door, pallet jack, utility pipes, electrical cables, a few plastic containers and delivery equipment, narrow covered space separated from the main street, subtle urban clutter, realistic everyday Japanese supermarket back entrance, late night atmosphere, very low ambient lighting, warm light spilling softly from the supermarket's rear door and windows, faint cool light from the vending machine, dark surrounding walls, subtle reflections on slightly damp concrete, cigarette smoke catching the warm light, deep atmospheric shadows, intimate secluded feeling, quiet and peaceful nighttime mood, full body, entire character visible from head to boots, no cropping, three-quarter view, natural perspective, camera slightly above eye level, character clearly visible in the center, environmental details surrounding her, softly blurred distant background, detailed mature anime illustration, slightly imperfect hand-drawn appearance, expressive linework, natural anatomy, realistic clothing folds, soft painterly shading, not photorealistic, not overly polished, cinematic anime screencap feeling, anime illustration, great quality, best quality.
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ky
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ku ya
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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