📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

転んだ先はレンズの前

えっ!?い、今の撮ったでしょ!?ち、違うなら…そんな紛らわしい構えしないでよ! • Tool : ChatGPT Image Generation (OpenAI) • Model : OpenAI Image Generation • LoRA : None • ControlNet : None • Generation Method : Text Prompt A high-quality anime-style illustration from a first-person (POV) perspective. The viewer is lying very low on the ground, aiming a camera toward small wild grass and flowers growing beside a roadside curb, intending to photograph only the plants. At that exact moment, Mahiru Koizumi from Super Danganronpa 2 accidentally trips and falls into the scene. She mistakenly believes the viewer is taking a picture of her instead of the grass. She is blushing brightly with an embarrassed yet slightly angry expression, reaching one hand toward the camera as if trying to stop the photo while looking directly at the viewer. She has short red hair, fair skin, visible freckles, and wears her iconic outfit faithful to the original design: a retro-style olive jumper skirt with the original knee-length skirt, a white blouse, a red checkered necktie, pale green knee-high socks, brown shoes, and a DSLR camera hanging diagonally across her body by its strap. The setting is a quiet roadside with natural grass, tiny flowers, pavement, and warm daylight. The composition clearly conveys that the camera is actually pointed at the grass while Mahiru has accidentally fallen into frame and misunderstood the situation. Dynamic perspective, expressive pose, faithful character design, soft anime shading, highly detailed, no text, no speech bubbles, no captions.

#Camera#Red Hair#Angry#Freckles#Bob cut#Danganronpa#Danganronpa 2: Goodbye Despair#Mahiru Koizumi
More to See

Comments

preserve original image, preserve all details, keep everything unchanged, exact same composition, exact same text, no redraw, preserve original eyes and highlights
Show Parameters
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
820 x 1024
Sampling Steps
12
Sampling Method
Euler
CFG Scale
2.5
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬