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Heaven and Earth

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Heaven and Earth

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masterpiece, best quality, absurdres, highres, ultra-detailed, field full of flowers, huge flowers, red flowers, forest, trees, no humans, no persons, no animals, Satsuki Kei, SK, lineart, nihonga, forest background
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Original Prompt
masterpiece, best quality, absurdres, highres, ultra-detailed, field full of flowers, huge flowers, red flowers,forest,trees,no humans, no persons, no animals,Satsuki Kei,SK, lineart, nihonga,forest background
Size
720 x 1280
Sampling Steps
30
Sampling Method
Euler a
CFG Scale
6
Negative
small flowers, sparse flowers, grass field, plain ground, blurry flowers, low detail flowers, daytime, people in foreground, oversaturated, dark foreground,people, animals,lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose

Model & LoRA used

NoobAI-XL (NAI-XL) - AI Model cover image

SDXL

NoobAI-XL (NAI-XL)
250
Satsuki Kei IllustriousXL - AI Model cover image

User LoRA

Satsuki Kei IllustriousXL
49
Satsuki Kei Style for [illustrious][NoobAI] - AI Model cover image

User LoRA

Satsuki Kei Style for [illustrious][NoobAI]
15
森の背景(NoobAI XL)　forest background - AI Model cover image

User LoRA

森の背景(NoobAI XL)　forest background
4

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ガ
Every time I drink sake, one road of the journey disappears. When I fall asleep, the vanished road extends from my bedside. At the end of it, an unknown flower blooms my name. Even when morning comes, the flower does not wither, and only the traveler sleeps within the flower. Edo period yokai painting, kyoso-e (fantastical painting), gikaga (caricature) style, woodblock print texture, bold ink lines, flat color planes, washi paper texture, monstrous encyclopedia style, Edo ghost stories, atmosphere of yokai paintings reminiscent of Katsushika Hokusai and Toriyama Sekien. Maintain the identity of this character. However, boldly reconstruct the costume, proportions, art style, color design, line art, decorations, background, composition, and motifs. A work as if a different artist designed the same character. Character modeling change with 10% commonality and 90% freedom. Boldly change the character design. Do not be dragged down by the impression of the original design. Inherit only the character's spirituality and motifs, and boldly change the modeling as a new design. Creative art styles unique to each illustrator, contemporary art, fantastical, subculture art, experimental design, extreme deformation, original line art, bold color design, high design quality, decorative screen composition, art book works, expression with a strong sense of authorship. Composition is free, background is free, color usage is free, expression method is free. Reconstruct with different art direction each time while keeping only the impression of the character. A single piece as if different painters drew the same character. Actively incorporate unexpected ideas and perform bold arrangements not bound by existing expressions. White background with plenty of empty space, delicate and ultra-fine pen drawing, quiet and eerie atmosphere, design where cuteness and anxiety coexist. Ultra-fine line art, ink drawing, cross-hatching, simple shading, composition that uses empty space boldly, limited number of colors, minimal color scheme, unbalanced deformation, large head-to-body ratio, subculture art, dark fantasy illustration. Highest quality, ultra-high definition, detailed depiction, delicate line art, beautiful composition, high resolution, illustration, art book style. Edo period yokai painting, kyoso-e, gikaga style, woodblock print texture, bold ink lines, flat color planes, washi paper texture, monstrous encyclopedia style, Edo ghost stories, atmosphere of yokai paintings reminiscent of Katsushika Hokusai and Toriyama Sekien.
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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