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View detailsHeavenly Dragon Maiden
Show Parameters
- Original Prompt
- ,best quality, score_7, masterpiece, best quality,1girl,full body, standing still,hanfu, chinese clothes, solo, extremely pale pure white skin, porcelain snow-like complexion, ethereal supernatural appearance, pointy icy demonic elf-like ears, symmetrical pointy ears, ((red eyes)), (glowing red irises), faint mystical glow in eyes, detailed iris, red eyeshadow, red lipstick, subtle elegant makeup, slight dark eye accents, long straight white hair, himecut bangs, silky smooth hair texture, extremely long brilliant glowing white hair, intricate details, ((large white crystalline curved chinese dragon horns)), ((large white crystalline chinese dragon horns)), ((crystalline white horns)), ((white crystal horns)), ((translucent white crystal material horns)), ((horn texture: white crystal))
- Size
- 1280 x 720
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- worst quality, low quality, score_1, score_2, score_3, artist name, bad hands, bad feet,logo, tanned skin, yellow skin, pink skin, olive skin, brown skin, dark skin, human ears, blush, multicolor, multicolored body, bi-color, patchy skin, mismatched colors, color bleeding, multi-colored skin, heterochromia, different colored limbs, dual-tone, patchwork skin, split-color, contrasting skin tones, discoloration, splotchy colors, two-tone
Model & LoRA used
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masterpiece, best quality, highly detailed, painterly digital art style, soft shading, expressive eyes, heavy blush around eyes, gradient lips, elaborate fantasy Xianxia Hanfu, multi-layered sheer blue and white fabrics, silver embroidery, white fur stole over shoulders, massive and intricate silver headdress, complex crown with antlers and crystal decorations, pearl chains, long dangling 'bu yao' tassels, hairpins, exquisite makeup, facial gems, cinematic lighting, rim lighting, ethereal glow, magical atmosphere
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a
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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