Ishtar, Fate series
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 31
- Sampling Method
- DPM++ 2S a Karras
- CFG Scale
- 7
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
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Huhr⁸ljm9j immemorial, giant muscle, big muscle, muscular, muscles, flawless anatomy, beautiful body, intricate texture details, elegant accessories, detailed illustration, realistic style, surrealism, hdr, high contrast, masterpiece, best quality, photorealistic, ultra realistic details, detailed skin, 8k wallpaper, dark long hair and enormously thickened thighs and calves that that the body of my body and I don't have to be able to in
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A wide low-angle shot captures a colossal, muscular female giantess towering over the ruins of a destroyed city. The woman possesses an exceptionally robust and powerful physique with massive, hyper-defined muscles and red hair, gazing down with a cute, gentle facial expression and red eyes. She is dressed in wild leopard-print underwear that contrasts with her imposing size. As she strides through the urban devastation, her massive foot is positioned near shattered concrete and twisted steel. Tucked securely and hidden within her panties is a tiny, miniature man, whom she intends to keep as a companion. The background is a wasteland of crumbled skyscrapers and smoking debris under a hazy sky. The visual style is a high-quality anime illustration featuring vibrant colors, sharp linework, and a dramatic sense of scale, emphasizing the contrast between her immense strength and her sweet expression.
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A low-angle, full body shot depicts a colossal, muscular red-haired woman towering over a modern city skyline. The giantess possesses an incredibly robust, hyper-muscular physique with bulging biceps and powerful legs, her skin glowing with health. She has long red hair and red eyes, wearing a cute, smiling expression while dressed in wild leopard-print underwear. Tucked securely between her large breasts, only the small, overwhelmed face of a tiny man is visible. She is actively gripping two massive stone statues, one in each hand, lifting them effortlessly from the city streets to take home. The background consists of towering skyscrapers and urban architecture that only reach her knees, emphasizing her immense scale. The visual style is a high-quality anime illustration with vibrant colors, sharp lines, and bright daylight that casts deep shadows across the city below, creating an awe-inspiring and playful atmosphere.
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A low-angle full body shot captures a colossal, muscular female giantess towering over a modern cityscape. She is a warrior girl of immense strength, possessing a robust and hyper-muscular physique with bulging biceps and defined abdominal muscles. She has long red hair and a cute, soft facial expression that contrasts with her imposing size. She is dressed in wild, leopard-print underwear that tightly hugs her powerful frame. In one of her massive hands, she gently but firmly grips a tiny, terrified man, holding him up toward her face. The surrounding environment consists of detailed skyscrapers and city streets that appear miniature beneath her feet. The visual style is a high-quality anime illustration, featuring vibrant colors, clean lines, and a sense of scale emphasized by the dramatic perspective and the contrast between the giantess and the urban architecture.
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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