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Level 11
The Endless City
Show Parameters
- Original Prompt
- (comic strip layout:1.4), (three panels:1.5), (split screen:1.3), masterpiece, best quality, 8k resolution, ultra-detailed, kenmochi_touya_(nijisanji), 1boy, solo, (Artist: wolrero:1.2). **Panel 1: Wide Shot (Long Shot)** The Backrooms, Level 11 (The Endless City), an infinite, eerie concrete metropolis surrounded by lifeless skyscrapers under a perpetual gray dusk. Kenmochi Touya is a small, solitary figure standing in the middle of a deserted asphalt street, emphasizing the crushing scale and endless isolation of the city. Faint neon signs flickers in the fog distance. Wide-angle perspective, dramatic low-key lighting, high contrast, surreal liminal atmosphere. **Panel 2: Medium Shot (Body Close-up)** Kenmochi Touya standing on the cracked pavement, weight shifted slightly, one hand in his pocket while the other rests near his collar. His posture is alert and watchful, jacket swaying gently in a strange wind. He wears the full outfit: crisp white collared shirt, red necktie, and black jacket, with small bandages visible on his hands. His signature short messy vibrant purple hair, sharp layered bangs, and thick side-swept fringe are visible. Semi-realistic style, painterly details, observant stance. **Panel 3: Extreme Close-up (Face)** Extreme close-up on the face, capturing the specific (expression: analytical, calculating, slightly tired, narrowed eyes, calm yet vigilant:1.5). Signature short messy vibrant purple hair frames the face, with strands falling between his sharply focused, intense green irises reflecting distant flickering neon signs. Pale porcelain skin with soft street light highlights, hyper-detailed shiny eyes, cinematic lighting, sharp focus, dreamlike gloom, smooth rendering, high detail, beautiful shadow.
- Mode
- ultra
- Size
- 912 x 1536
- Negative
- worst quality, photorealistic, bad anatomy, blur, low resolution
Model & LoRA used
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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