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AI art "Rakuro hizutome" featuring #Male, #Boy, #full body and #My Hero Academia
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Rakuro hizutome

Di sekap

#Male#Boy#full body#My Hero Academia
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1boy, rakuro, dark blue hair, blue eyes, spiked hair, muscle, casual clothes, full body, tied up, sitting, leaning against wall, gagged, sweating, pale, red wrists, very scared, weak, empty warehouse, victim, tense atmosphere
Show Parameters
Original Prompt
rakuro (adult), dark blue hair, blue eyes, spiked hair, di sekap di gudang kosong, korban, tangan kaki diikat terlentang, sangat ketakutan, berkeringat, lemas, pergelangan memerah, mulut di lakban, duduk, bersandar di dinding, berotot, pakaian kasual, full body, suasana mencekam
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model & LoRA used

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
25.02k
Rakuro Hizutome - AI Model cover image

User LoRA

Rakuro Hizutome
3

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AI artwork
ks
1boy, young man, spiky black hair, red tank top, short black shorts, bound, tied up, leather straps, hands bound, legs bound, cloth gag, white cloth blindfold, trembling, scared, cowering, curled up, inside wardrobe, clothes closet, sliver of light, from above, close-up A high-angle close-up shot looking down into the cramped, dark interior of a wooden clothes closet. A young man with spiky black hair is curled into a tight, trembling ball on the floor of the wardrobe, his body pressed against the corner and several hanging garments that occlude his shoulders. His wrists are bound tightly together with thick brown leather straps, and his ankles are similarly cinched with leather straps, forcing his legs into a fetal position. A white cloth blindfold is tied securely over his eyes, and a white cloth gag is knotted firmly across his mouth, pulling the corners of his lips taut. His expression is one of sheer terror, visible in the tension of his furrowed brow and the frantic tremble of his shoulders. The only light source is a sharp, diagonal sliver of bright white light cutting through the narrow gap of the closet door, striking the side of his red tank top and the floor, leaving the rest of the space in deep, oppressive shadow. A few stray particles of dust dance in the beam of light. Suffocating dread.
Kiritinho Solo
AI artwork
mm
character: bakugou_katsuki 1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash. The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
Matty Murray

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