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AI art "迫り来る恐怖" featuring #All fours, #Darkness, #Horror, #Blood and #Girl
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迫り来る恐怖

これはセンシティブ判定くらわないんだ

#All fours#Darkness#Horror#Blood#Girl
Avatar image of クロムツ

クロムツ

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1girl, ghost, kayako\(ju-on\), masterpiece, ultra detailed, horror atmosphere, indoor, dark, crawling on all fours, wide open mouth, black eyes, pale skin, blood stains, long messy hair, white tattered dress, dirty clothes, grim radiance style, cinematic horror, dark background, looking at viewer, terrifying smile, high quality
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Original Prompt
女性の幽霊が一人出ている心霊画像。心霊や恐怖動画で見られる映画の登場人物伽椰子の様な恐ろしい幽霊のような女性の画像。暗い家の中で気味の悪い雰囲気の中、女性一人が階段を四つん這いになりながら降りてくる恐怖の心霊画像。四つん這いは両腕と両足ともにいっぱいに広げて超低姿勢の状態。女性の顔は耳まで裂けた口が恐怖を引き立たせる怖い笑みをうかべ、目は黒目のみでコチラを見据える。皮膚は全身真っ白で所々赤黒い血のような跡があり、髪の毛は洗われていないボサボサな長髪を振り乱している。服は白色の全身を覆うロングスカートのワンピースで各所に破れた状態と血や汚れがついているぼろぼろな状態。画面全体は暗く光がなく、体全体も真っ暗な暗さのなかで輪郭だけが微かにみえる。階段からブリッジゆっくりと降りてくる伽椰子の様な女性の顔の付近だけ目と口周りだけようやく見えるぐらいに微かな明るさにより恐怖を際立たせる。傑作　超高精細　ハイクオリティ　人が恐怖と畏怖を見出すような雰囲気　
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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AI artwork
bd
horror doll, haunted house, 1girl, solo, porcelain doll, cracked porcelain face, pale skin, glassy wide eyes, empty stare, tattered Victorian lace dress, faded cream dress, high collar, puffed sleeves, dusty fabric, missing fingers, broken ceramic hand, stringy black hair, from below, dutch angle, foreshortening, close-up, leaning forward, head tilt, reaching toward viewer, outstretched arm, dark interior, dim lantern light, dust motes, cobwebs, candlelight, chiaroscuro, muted sepia and bone-white palette, horror The camera sits low and tilted, looking up from floor level at a porcelain doll that leans over the viewer from a decayed staircase landing. The doll's weight rides on its left hip against the banister post, its left shoulder pressed to the carved newel, one bare ceramic forearm braced across the rail while the right arm reaches down toward the lens, the mended hand — two fingers sheared off, the stump glossy and chipped — stopping just short of the frame, palm open, so the missing digits read as a jagged silhouette against the light. Its head tips down toward the viewer, chin tucked, so the wide glassy eyes look out from under the brow and the hairline; a crack runs from the corner of the left eye down past the cheek, its shadow splitting the face. The lips are slightly parted and dry. Black stringy hair hangs forward past the shoulders, some strands caught on the high lace collar and the puffed sleeve seam, and the dusty cream lace of the skirt droops through the gap between two banister spindles, frayed hems brushing the steps. The house closes around it: a ruined stairwell of peeling wallpaper and water-stained plaster, a slanted hallway door standing ajar behind the doll, cobwebs strung between the newel and the lamp bracket, dust thick on the treads. A single oil lantern hangs from an iron bracket behind and above the doll's right shoulder; it is the only light — it rims the doll's left side and the hair with warm sodium orange, throws the doll's long shadow down the treads toward the camera, and leaves everything below the stairwell and beyond the doorframe in absolute black. The only cool note is the pale bone white of the porcelain and the cream lace, everything else sunk to umber and soot. A faint smear of old dust on the lens, stirred into slow spirals by the doll's breathless nearness, drifting through the lantern beam. Quiet dread.
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