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ニシノフラワー
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- Original Prompt
- 1人の女の子、 , 大きな瞳、丸顔、小さな胸、華奢な体型、繊細な体つき、最高傑作、超高精細、こちらを見ている、笑顔、艶のある肌、しっとりとした肌、 , newsboy cap, deep teal beret-style cap with a short rounded brim, matching covered side button detail, short-sleeved ivory blouse, soft sailor-style open collar, floral embroidery along the collar edge in muted red, coral and olive green, delicate golden vine embroidery across the chest and sleeve cuffs, two symmetrical chest flap pockets with small matte gold buttons, front button placket with matte gold buttons only, blouse tucked into the skirt, high-waisted deep teal gathered mini skirt, plain front without zipper, wide dark brown leather belt with a large oval antique gold buckle, long hanging belt strap with a small gold decorative tip, floral embroidery border around the skirt hem in muted red, coral, ivory, olive green and soft gold, above-knee length, crisp structured silhouette, matte woven fabric, strict color placement, deep teal cap and skirt only, ivory blouse only, dark brown belt only, antique gold buckle and blouse buttons only, floral embroidery only in muted red, coral, ivory, olive green and soft gold, no additional colors, no additional decorations, clean symmetrical tailoring, smooth wrinkle-free fabric, highly detailed embroidery, fashion catalog quality , , 薔薇園でたたずむ、 頬を赤らめている、 艶のある顔、 最高品質、 ダッチアングル（斜め構図）、 横からの視点、 クローズアップ、 キャラクター主体、 被写界深度、 発光する粒子、 反射表現、 小さな胸、 超高精細描写、 高コントラスト、 レイトレーシング、 最高のライティング、 映画的な構図、 美しい顔、 美しい瞳、 シャープフォーカス。 ,hadasitukan,pose, ,litebrownHAIR,ummsmingame, 3d, nishino flower \(umamusume\),pose,hadasitukan,ummsmingame,3d,nishino flower \(umamusume\),
- Size
- 768 x 1280
- Sampling Steps
- 19
- Sampling Method
- Euler a
- CFG Scale
- 1.1
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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