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AI art "love story"
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love story

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A two-panel story card in a horizontal diptych layout — LEFT: a painterly two-figure atmospheric illustration; RIGHT: a dark vintage text card — presented as one seamless composition like a page from an illustrated novel. LEFT PANEL: Two figures lying down, seen from above in an intimate close-up, their heads inverted relative to each other — a yin-yang arrangement: the woman lies with her head toward the lower-left, face tipped up; the man lies opposite, his head entering from the upper-right, leaning down over her so their profiles align nose-to-nose, lips a breath apart, both eyes closed. His hand slides beneath her head, fingers threading into her hair; loose strands of both their hair intermingle across the pillow. The woman: warm rose-brown wavy hair spread loose, a few small gold hairpins, soft blush, white satin slip dress with thin straps catching cyan glints, a small oval pendant at her collarbone, long vivid fuchsia-magenta evening gloves past her elbows. The man: short pale silver-ash tousled hair contained within the frame, its edges softly blurring into the dark, loose white dress shirt with open collar and rolled sleeves, a violet ribbon-like paint streak across his back. Setting: deep pine-green shadowed background with faint vertical drip marks like rain on glass, a pale glass tabletop edge at the bottom catching diffused cold cyan reflections, one white porcelain teacup and saucer near the corner, small flicks of pale blue paint across the lower frame. RIGHT PANEL — the story card: A near-black card with a rough charcoal-brushed border fading unevenly at the edges, subtle paper grain, a strip of film-negative frame numbers running faintly along the bottom edge. The text is printed in a pale warm-white serif, centered, generous line spacing, sized like a novel excerpt. overlay_text (all on the right panel, pale cream serif — Japanese Mincho typeface — on the dark card): - "－1997年　冬－" — slightly larger, centered at the top with dash brackets - Body text, centered, seven lines, generous line spacing: "あの年、街は三日間停電した。 廊下の角で、二人の蝋燭の光がぶつかった。 『君の、もう消えそうだ。』と彼が言う。 彼女は炎を寄せて、半分だけ借りた。 『なら、一緒に燃やそう。どうせ―― 暗くなる時は、 先に行くなんて許さないから。』" - "0347281" — small faded stamp-style digits, bottom-right corner of the card, half-cut by the frame edge luminous painterly digital illustration with a soft hazy dreamlike atmosphere — gentle diffusion as if seen through a thin veil, soft-focus glow bleeding from the highlights, delicate matte grain and paper texture, edges softly dissolving into shadow. Thin translucent gouache washes with visible flowing brushstrokes, colors gently melting at the boundaries. Stylized elegant figures, NOT realistic: highly simplified refined faces — slender profiles, tiny subtle noses, closed eyes drawn as a single fine line with delicate lashes, small soft lips, soft rosy blush; graceful elongated bodies. Hair painted as flowing ribbon-like strands with luminous highlights and feathered blurred tips. Rich deep color: saturated deep pine-green and dark emerald-teal background, luminous whites with cool cyan and pale lavender iridescence, warm glowing peach skin, rose-brown hair, one vivid saturated fuchsia-magenta accent. The couple glows softly like a lit island against the deep green darkness. Quiet, dreamy, melancholic intimacy.
Show Parameters
Mode
ultra
Size
1104 x 1840
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.58k

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1boy, solo, messy black hair, dark circles under eyes, unfocused eyes, blank stare, parted lips, dazed, disoriented, drowsy, half-asleep, sitting, hunched forward, one hand on forehead, loose gray t-shirt, bare neck, messy bed, tangled sheets, dim bedroom, surreal, hallucinations, translucent silhouettes, floating wisps, dutch angle, from above, medium shot, cool palette, moonlight, pre-dawn, subtitles Seen from above at an unstable dutch angle, a young man sits half-upright in a disheveled bed, his torso pitched forward with his weight settled heavily onto his left hip. His left hand clutches the twisted duvet, pale knuckles bunching the dark fabric, while his right palm presses flat against his temple, fingers digging into disheveled black bangs. His head droops slightly forward, but his unfocused, dilated eyes stare blankly into the vacant mid-air of the bedroom, lips parted in slack disorientation. Swirling through the dim space around him are translucent, hallucinatory phantoms—smoky phantom wisps and faint, shifting silhouettes that twist lazily through the air, their immaterial forms phasing directly through the solid wooden headboard. Physical illumination comes solely from the left through horizontal window blinds, casting cold indigo slashes of pre-dawn light across his bare collarbones and the crumpled sheets, contrasted by a faint, sickly pale-cyan phosphorescence emanating from the floating apparitions without casting any cast shadow. A curled ribbon of phantom vapor passes through an undisturbed glass of water on the nightstand, leaving the water surface completely still. Centered horizontally across the bottom edge, a minimalist cinematic subtitle bar displays crisp white lettering that reads "寝ても覚めても妄想幻覚、やはり若年性認知症である。". Disquieting detachment.
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