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片桐98

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片桐98

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Glittering anime-style depiction with line art similar to "The Rose of Versailles", extreme low-angle perspective from between the legs, looking up at the crotch, a woman straddling the viewer, bending at the waist and looking down at the viewer with an upside-down face, a gentle but somewhat condescending smile with a motherly sense of superiority, half-closed eyes, slightly raised inner eyebrows, a slightly frowning expression as if scolding, black medium bob hair with soft waves, wearing a bright red knee-length long flare skirt, the skirt is a seamless design with no openings or slits, the large plump buttocks and plump thighs are clearly outlined and tightly wrapped in the fabric, legs spread wide in a bow-legged posture to emphasize the volume of the buttocks, the plump buttocks and thighs inside the skirt push up against the fabric of the flare skirt, clearly revealing voluptuous curves, wearing a flare skirt-style one-piece chemise under the skirt with white lace frills on the hem, plump back of the thighs, soft lighting, white wall background, delicate facial features, anime style, high quality, detailed and precise.
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Original Prompt
『ベルサイユの薔薇』のような線画調の煌びやかなアニメタッチの描写、両脚の間からの極端なローアングル視点、股間を見上げる構図、視聴者の上に跨がるような女性、腰を折り曲げて逆さまの顔で視聴者を見下ろしながら、優しいけれどどこか見下した母親のような優越感を含んだ微笑み、半目、内側が少し上がった眉、少ししかめっ面で叱るような表情、黒髪のミディアムボブで柔らかなウェーブ、真っ赤な膝上丈の長めのフレアスカートを穿き、スカートは開きやスリットのないシームレスなデザインで、生地にぴったりと包まれた大きなむっちりしたお尻とむっちり太ももの丸みがはっきりと浮き出ている、ガニ股気味に足を大きく開いた姿勢で太腿を広く広げ、お尻のボリュームを強調、スカートの中で張り裂けそうなほどムチムチとしたお尻と太腿が、フレアスカートの生地をぴったりと押し上げ、豊満な曲線をくっきりと浮かび上がらせている、スカートの下にはフレアスカート調のワンピース風シュミーズを着用しており、その裾にはふりふりの白いレースフリルが付いている、ふっくらした太もも裏、柔らかい照明、白い壁の背景、繊細な顔立ち、アニメ調、高品質、細部まで精密
Mode
lite
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.91k
ultra realistic portrait style - AI Model cover image

User LoRA

ultra realistic portrait style
64

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
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