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新山聡美(バタフライ・チャイナドレス)

#MILF#Hair bun#China dress#Butterfly#Sound! Euphonium#Satomi Niiyama
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Comments

1girl, niiyama satomi\(hibike! euphonium\), masterpiece, best quality, amazing quality, ultra-detailed, 8k wallpaper, brown hair, parted bangs, single hair bun, long face, large eyes, gentle drooping eyes, lavender eyes, mid-40s, medium breasts, red cheongsam, sexy cheongsam with a butterfly-patterned gradient design, long crotch clothes, backless outfit, butterfly patterned high heel sandals, butterfly hair ornament, sleeveless dress, cgptbg, cohesive background, atmospheric background, environmental depth, soft background details, clean scene composition, (Masterpiece :1.2), (best_quality :1.2), (HD_eyes :1.2), (ultra_quality :1.2), (Detailed :1.2), (scenery :1.2), (cinematic_lighting :1.2), (depth :1.2), (detailed hands :1.2), (colorful masterpiece :1.2), (high-definition_eyes :1.2), cowboy shot, back view, looking back slightly, yokohama chinatown, zenrinmon gate, magnificent paifang (chinese gate), vivid red pillars, colorful carved beams, blue signboard with gold kanji "親仁善隣", traditional green and gold roof tiles, unique chinese-style buildings in the background, bustling stone-paved street with tourists, quiet morning atmosphere, green trees on the left, realistic texture, urban scenery
Show Parameters
Original Prompt
美しい女性(niiyama satomi)のカウボーイショット, 後ろ姿, 横顔を見せるように少し振り返っている, , 横浜中華街の善隣門, 壮大な牌楼(中国式の門), 鮮やかな赤い柱, 精巧な彫刻が施されたカラフルな梁, 青い看板にゴールドの漢字で「親仁善隣」と書かれている, 伝統的な緑と金の瓦屋根, 背景に建つユニークな中国風建築のビル, 観光客で賑わう石畳の通り, 朝の静かな雰囲気, 左側に緑の木々, リアルな質感, 都市の風景, masterpiece, best quality, amazing quality, ultra-detailed, 8k wallpaper,
Size
1400 x 1400
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5.5
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution
Face Fix

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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