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AI art "芥川版・桃太郎伝説" featuring #Oni, #Final Fantasy XIV and #Oni Beauty
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芥川版・桃太郎伝説

ボーイッシュな鬼ガールです♪ 悪党「🍑桃一派」が、故郷である鬼ヶ島を襲撃したという知らせを聞いて、仲間を救うべく、全力で疾走をしているイメージです。 かの有名な芥川龍之介も「桃太郎」を執筆していたりします。電子書籍で読みましたが、それを元ネタにしています。 仕事をしない桃太郎。厄介払いされる桃太郎。ケチな桃太郎。 お供の３匹は、犬猿の仲。 平和に暮らす鬼の一族。 鬼ヶ島での非人道的な行為。難癖な征伐理由。 征伐後は、報復の連鎖。 桃太郎は大勢の人たちによって、様々なストーリーが作られており いろいろ調べると面白いかもしれません♪ The Akutagawa Version of the Momotaro Legend She’s a boyish "Oni" (demon) girl! The image here captures her sprinting at full speed to rescue her comrades after hearing news that the villainous "Peach Faction" has attacked her home, Onigashima. The famous author Ryunosuke Akutagawa also wrote his own version of "Momotaro"—which I read as an e-book and used as the inspiration for this piece. In that version, Momotaro is a slacker who does no work, a nuisance everyone wants to get rid of, and a total cheapskate. His three animal companions are constantly at each other's throats. The Oni clan lives a peaceful life. Then come the inhumane acts committed on Onigashima and the flimsy, unreasonable excuses used to justify the "subjugation." And after the subjugation? A cycle of retaliation. So many people have created various stories about Momotaro over the years... it might be fun to look into them!

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Oni Beauty
#Oni#Final Fantasy XIV
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七夢

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oc, final fantasy xiv, short gray hair, ash brown short hair, two horns, horns blue to red, sharp eyes, red one-shoulder crop top, exposed shoulder, black tattoo, black and red armored gauntlets, red short pants, black and red boots, shin guards, Character A: oc, final fantasy xiv, short gray hair, ash brown short hair, two horns, horns blue to red, sharp eyes, red one-shoulder crop top, exposed shoulder, black tattoo, black and red armored gauntlets, red short pants, black and red boots, shin guards, Take a full-body image that shows all the way down to your feet. In one hand, he clutches a single, vivid crimson iron club. A highly realistic cinematic movie poster for a dark Japanese historical fantasy film, dramatic theatrical key art, epic tragedy told entirely from the perspective of the Oni. Only one main character, Character A, a member of the Oni clan, is desperately sprinting at full speed along a muddy dirt road through a dense Japanese forest during a violent rainstorm. Character A is completely soaked by the pouring rain, gripping one vivid crimson-red kanabo in one hand while running desperately toward the battlefield. Their clothes and hair are drenched and whipping with the motion. Their feet strike deep muddy puddles, violently splashing mud and rainwater into the air. Wet footprints, churned earth, scattered leaves, heavy rainfall, mist, water droplets, realistic wet surfaces. Character A's expression is extremely serious, desperate, and emotionally devastated. They have just learned that their homeland, Onigashima, has been attacked by Momotaro and are racing back to save their family and fellow Oni. Tears well in their eyes and mix naturally with the rain running down their face. Their expression conveys fear for their loved ones, determination, urgency, grief, and desperate courage. This is not a triumphant charge; this is someone desperately trying to reach home before it is too late. In the distant background beyond the rain-soaked forest, the island fortress of Onigashima is burning catastrophically. Enormous crimson flames engulf the Oni stronghold, thick black smoke rising into the stormy sky, fiery orange-red light glowing ominously through the cold rain and mist. Against the burning red light of Onigashima, show only four sinister black silhouettes in the far background: one human warrior, Momotaro, accompanied by exactly one dog, one monkey, and one pheasant. No facial details, only unmistakable dark silhouettes. They are framed like terrifying final bosses rather than heroes, standing ominously before the burning homeland of the Oni. Their presence feels cold, ruthless, sinister, threatening, and merciless. Strong visual contrast between the cold blue-gray rainstorm and the intense crimson-orange inferno. Cinematic backlighting, volumetric rain and mist, realistic fire illumination, dramatic rim lighting, wet skin and fabric, physically realistic mud splashes, shallow atmospheric perspective, powerful depth, dynamic low-angle running composition, slight motion blur on rain and flying mud while keeping Character A's face sharply focused. The composition should immediately communicate the reversed perspective of the Momotaro legend: the celebrated hero of one story is the terrifying invader of another. Prestigious Japanese live-action dark fantasy film poster, photorealistic, emotionally devastating, tragic war drama atmosphere, large-scale cinematic production, sophisticated theatrical poster composition, extremely detailed, realistic materials, realistic rain physics, realistic fire and smoke, dramatic cinematic color grading, high contrast, film grain, masterpiece movie key visual. Clearly display the Japanese movie title: 「ONI ―鬼ヶ島最後の戦い―」 Clearly display the Japanese tagline: 「その昔、英雄が鬼を退治した。――これは、退治された者たちの物語。」 The title and tagline must be clearly legible, correctly written, elegantly integrated into the theatrical poster design, without covering Character A's face. anime illustration. great quality, best quality
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Character A:,oc,final fantasy xiv,short gray hair, ash brown short hair, two horns, horns blue to red,sharp eyes,red one-shoulder crop top,exposed shoulder, black tattoo,black and red armored gauntlets,red short pants, black and red boots,shin guards,Take a full-body image that shows all the way down to your feet.In one hand, he clutches a single, vivid crimson iron club. A highly realistic cinematic movie poster for a dark Japanese historical fantasy film, dramatic theatrical key art, epic tragedy told entirely from the perspective of the Oni. Only one main character, Character A, a member of the Oni clan, is desperately sprinting at full speed along a muddy dirt road through a dense Japanese forest during a violent rainstorm. Character A is completely soaked by the pouring rain, gripping one vivid crimson-red kanabo in one hand while running desperately toward the battlefield. Their clothes and hair are drenched and whipping with the motion. Their feet strike deep muddy puddles, violently splashing mud and rainwater into the air. Wet footprints, churned earth, scattered leaves, heavy rainfall, mist, water droplets, realistic wet surfaces. Character A's expression is extremely serious, desperate, and emotionally devastated. They have just learned that their homeland, Onigashima, has been attacked by Momotaro and are racing back to save their family and fellow Oni. Tears well in their eyes and mix naturally with the rain running down their face. Their expression conveys fear for their loved ones, determination, urgency, grief, and desperate courage. This is not a triumphant charge; this is someone desperately trying to reach home before it is too late. In the distant background beyond the rain-soaked forest, the island fortress of Onigashima is burning catastrophically. Enormous crimson flames engulf the Oni stronghold, thick black smoke rising into the stormy sky, fiery orange-red light glowing ominously through the cold rain and mist. Against the burning red light of Onigashima, show only four sinister black silhouettes in the far background: one human warrior, Momotaro, accompanied by exactly one dog, one monkey, and one pheasant. No facial details, only unmistakable dark silhouettes. They are framed like terrifying final bosses rather than heroes, standing ominously before the burning homeland of the Oni. Their presence feels cold, ruthless, sinister, threatening, and merciless. Strong visual contrast between the cold blue-gray rainstorm and the intense crimson-orange inferno. Cinematic backlighting, volumetric rain and mist, realistic fire illumination, dramatic rim lighting, wet skin and fabric, physically realistic mud splashes, shallow atmospheric perspective, powerful depth, dynamic low-angle running composition, slight motion blur on rain and flying mud while keeping Character A's face sharply focused. The composition should immediately communicate the reversed perspective of the Momotaro legend: the celebrated hero of one story is the terrifying invader of another. Prestigious Japanese live-action dark fantasy film poster, photorealistic, emotionally devastating, tragic war drama atmosphere, large-scale cinematic production, sophisticated theatrical poster composition, extremely detailed, realistic materials, realistic rain physics, realistic fire and smoke, dramatic cinematic color grading, high contrast, film grain, masterpiece movie key visual. Clearly display the Japanese movie title: 「ONI ―鬼ヶ島最後の戦い―」 Clearly display the Japanese tagline: 「その昔、英雄が鬼を退治した。――これは、退治された者たちの物語。」 The title and tagline must be clearly legible, correctly written, elegantly integrated into the theatrical poster design, without covering Character A's face.
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ultra
Size
1536 x 1536
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worst quality, photorealistic, bad anatomy, blur, low resolution

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Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
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DiT2　暗黒騎士（鬼）　FF14　　Dark Knight　 (Oni) - AI Model cover image

User LoRA

DiT2　暗黒騎士（鬼）　FF14　　Dark Knight　 (Oni)
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character: miyamoto_musashi_(third_ascension)_(fate) 1girl, solo, pink hair, long hair, high ponytail, asymmetrical hair, swept bangs, hair ornament, kanzashi, blue eyes, earrings, japanese clothes, elaborate kimono, short kimono, white and crimson kimono, wide sleeves, detached sleeves, sash, obi, shoulder armor, arm guards, black thighhighs, dual wielding, katana, holding sword, drawn blade, sword stance, cowboy shot, from below, three-quarter view, confident, smirk, intense gaze, looking at viewer, embers, night, wind blown Seen from below in a dynamic cowboy shot tilted on a subtle dramatic angle, a fierce swordswoman drops into a wide, spring-loaded duel stance. Her long, layered pink hair is bound into a voluminous high ponytail with an elaborate golden and crimson floral hair ornament, fine asymmetrical bangs whipping across her brow in the sudden draft. Her brilliant blue eyes lock directly forward at the viewer with an intrepid, challenging smirk. Her forward knee bends deep to anchor her weight against the ground, while her trailing leg extends back for balance. Her right hand grips the braided hilt of a gleaming steel katana held diagonally across her chest in a forward guard, its polished edge catching the light, while her left hand readies a second curved blade drawn from the scabbard at her hip. She wears an ornate third-ascension battle garment consisting of a short, layered white kimono with fiery crimson and gold trim, cinched tightly at the waist by a wide patterned obi sash, with detached flared kimono sleeves billowing outward behind her bare shoulders and lacquered shoulder armor. Black thighhighs encase her legs beneath the flared hem of the skirt, and dangling earrings whip outward with the snap of her posture. The scene is set on a dark flagstone terrace at twilight, illuminated by the warm, directional glow of drifting orange embers and lanterns, which casts sharp amber rim-lighting along the polished steel blades, silk edges, and trailing pink strands, leaving the receding courtyard in cool indigo shadow. Glowing sparks rise in tight, swirling thermal updrafts drawn along the swift arc of the unsheathed blade. Spirited, resolute martial grace.
よんばんめ
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Avatar image of 月崎はやる🔵🦊🔴
A digital anime illustration features the character from image1 in a dynamic fighting pose, forcefully kicking and sending rocks flying into the air. She retains her long white hair, asymmetrical horns, glowing heterochromia eyes, bloodied cheek, and black, teal, and red Japanese-inspired combat outfit. Intense blue, yellow, and purple auras surge around her form. The ground beneath her is heavily cracked from the impact. The scene is set in a vibrant blue night with a striking white torii gate standing in the background. The style of the image remains faithful to image1.
月崎はやる🔵🦊🔴
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