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AI art "The Sensational Spider-Man (Invincible Style)" featuring #Marvel and #Spider-Man
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The Sensational Spider-Man (Invincible Style)

#Marvel#Spider-Man
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Comments

spider-man\(marvel comics\), 1boy, mask, red mask, official_style, screencap, (8k:1.2), sharpness, ultra-sharp, perfect body, perfect anatomy, beautiful_details, exaggerated_features, sensaiospider_benreilly_(videogames), bodysuit, red and blue suit, spider print, black print, muscular, solo, invincible character style, art style, animation style, character style
Show Parameters
Original Prompt
Spider-Man from Marvel Comics, mask, red mask, official_style, screencap, 8k:1.2, sharpness, ultra-sharp, perfect body, perfect anatomy
Quality Tag
((4k,8k,Ultra HD)),((Masterpiece :1.2)),((Best quality :1.2)),((Detailed :1.5)),((Detailed background :1.5)), smooth shading, dynamic composition, depth of field, ﹝Prompts﹞, (anime coloring:2.0), (anime screencap:2.0), (official art:1.5), (clean lines:1.2), smooth skin, glossy skin, beautiful anime illustration, delicate lineart, highly detailed background, vibrant colors
Size
1024 x 1280
Sampling Steps
32
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, unclear eyes, unsmooth, unsharp, worst aesthetic, worst quality, worst detail, bad quality, bad detail, low quality, low detail, lowres, low resolution, anatomical nonsense, artistic error, worst anatomy, bad anatomy, bad face, worst face, worst fingers, bad fingers, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, worst hands, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Face Fix
HiRes

Model & LoRA used

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AI artwork
Avatar image of Yiğit Şerif Yaman The Man
character: peter_parker, spider-man 1boy, solo, male, superhero, black_hair, short_hair, black_eyes, brown_hair, brown_eyes, full bodysuit, spider_web_print, red and blue costume, mask, white lenses on mask, dynamic pose, web-swinging, swinging, holding web line, one arm extended overhead, legs tucked, body twisted, from below, foreshortening, low angle, city, skyscrapers, sky, clouds, limbs spread, looking down, motion blur on background, wind effect, clenched hand, outstretched arm The camera looks up from street level at a steep low angle, so the single figure of a young man in a form-fitting red-and-blue bodysuit with a fine black web pattern printed across the red panels hurtles across the pale morning sky above a corridor of glass-and-steel towers. His right arm is thrown straight up and forward, fist closed around the end of a taut white web strand that runs off the top edge of the frame; the line is under load, so it runs dead straight and the web loops bunch slightly where it knots at his glove. His left arm sweeps back and out for balance, elbow bent, fingers splayed. His knees are drawn up and twisted to his left, one boot sole tipped toward the lens in strong foreshortening so the near leg reads larger than the far one; the body twists at the waist, chest angled away from the camera and hips swung toward it. His head is turned down and to his right, chin tucked, lenses narrowed as he tracks the next hold, the web of seams on the mask pulled taut across his jaw so the fabric creases at the neck. Behind and below him the buildings lean with the upward angle, receding in two rows, their windows catching cool white glints from the sun at upper left; the far towers simplify to flat blue-grey silhouettes hazy with distance. The sky occupies the upper third, a clean pale blue that thins to white near the left where the sun sits, and the light rakes his right side so his shoulder and the outside of his raised arm blazed with red while his left flank falls into a cooler blue shadow; a faint shadow of his leg drops across the rooftop ledge in the lower left corner. Airborne grit and one loose newspaper corner lift upward past him, showing the rising air of his arc. The whole background is streaked with a soft directional blur along his line of travel, but his own body is crisp, and the web line stays razor sharp against the sky where the blur does not touch it. Crimson, cobalt blue and hard clean black web lines are the only saturated colours; the city is steel grey and pale blue. Exhilarated, high-speed momentum.
Yiğit Şerif Yaman The Man

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