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Brizzy
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1girl, solo, from above, extreme foreshortening, looking up at viewer, head tilted back, grabbing own hair, hands in own hair, wide eyes, insane smile, open mouth, teeth, half-shaved head, shaved side, white hair, short white hair, violet eyes, ear piercings, multiple piercings, silver studs, neck tattoo, black ink tattoo, cropped black leather jacket, cropped white top, midriff, navel, short white shorts, bare legs, standing, completely white background, solid white field, high contrast anime style, thick outlines, halftone dots, punchy pop-graphic colour.
The camera is high and close, tilted down hard over her: her crown fills the top of the frame, her face is thrown back and foreshortened, chin lifted, so her wide violet eyes look straight up along the lens axis into the viewer. Her short white hair is cropped close and buzzed to the skin on the left side of her head, the shaved scalp showing as a faint pale pelt of stubble, while the longer white strands sweep across the crown to the right; both her hands are buried in those strands, fingers hooked and pulling upward and outward so the hair lifts in ragged spikes and the shaved side is dragged taut, a few loose cut strands standing off the crown. Her expression is unhinged and gleeful — eyes stretched wide with the whites showing all around the violet irises, brows pulled high and uneven, mouth split in a wide crooked grin with the upper teeth bared, a thin strand of hair caught at the corner of her lips. Silver hoops and studs stud both ear rims and lobes in a ragged row, and a black ink tattoo curves up the side of her neck from the collarbone toward the jaw, partly stretched and folded by the tilt of her head. The cropped jacket sits open and boxy on her shoulders, black leather creasing hard at the elbow bends with a dull sheen along the raised arm, its hem ending well above her waist; beneath it the cropped white top is pulled up by the stretch of her arms, showing the flat plane of her midriff and navel, and the matching white shorts sit low on her hips, their fabric bunching at the creases of her stance. She stands with her weight shifted onto her right leg, left knee slightly bent and turned inward, left hip pushed out, so her torso twists and the jacket swings open along one edge. There is no environment at all: the background is a completely white, seamless, lightless field with no horizon, no floor line and no cast shadow on the ground — only a soft contact shadow tucked directly beneath her bare feet. The light is even and frontal from the camera position, a bright high-key wash that blows the white field out completely, leaves the leather as the darkest mass in the frame with a single crisp specular streak on the shoulder, and catches a wet gleam on her lower lip and along the tattooed line of her neck. The palette stays tight: white and off-white skin and cloth, black leather and black ink, the violet of her eyes, and a warm flush of red on her open mouth and the rims of her ears. Chaotic, pop-graphic, electric.
Ed Ryan
みみみ
휴
clean thin anime lineart, soft airbrush gradient shading, hybrid cel and digital painting, subtle painterly soft blending, layered illustration eyes, faint controlled glow, narrow selective glossy specular, (detailed hair), (detailed eyes), (ligne claire), (manga cover), MMM style, masterpiece, best quality, best aesthetic, one-armed character, missing one arm, bandaged stump, wrapped bandages, grey hair, dull red eyes, grey sleeveless shirt, black long pants, large old burn scar on half of the face, tied hair, messy, slender, standing, front view, room
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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