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AI art "「デート、楽しかったね」" featuring #I-26
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「デート、楽しかったね」

あたし達も、恋人同士みたいなことできたかな

#I-26
Avatar image of かえる🐸ゲーミング両生類🎮

かえる🐸ゲーミング両生類🎮

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character: i-26_(kancolle), A medium shot from a front-facing angle inside a train carriage during sunset, featuring i-26_(kancolle) sitting closely beside a young adult man. I-26, with long brown hair held by a two-tone hairband and brown eyes, leans her shoulder affectionately against the man, wearing a happy and blissful smile. She is dressed in a pale gray sleeveless knit top and black leather hot pants that fully expose her thighs and knees; a small black crossbody pochette strap runs between her breasts, emphasizing her cleavage. The man, positioned to her side, has pale flaxen hair and is wearing a white button-down shirt and black slacks, though his face is cropped out of the frame. They are seated on the train's fabric seats, with the interior layout and window frames visible. The scene is bathed in the warm, golden glow of the setting sun streaming through the windows, creating long shadows and a romantic, nostalgic atmosphere with a soft-focus color palette.
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Original Prompt
夕日差し込む電車内の座席。伊26（艦隊これくしょん）が隣に座っている淡い亜麻色の髪色の若い成人男性に肩を寄せ、幸せそうに微笑んでいる様を正面から。 伊26の服装は上半身は淡いグレーのノースリーブのニット。黒い小さなポシェットをたすき掛けしており、紐が胸の間を通り、胸の谷間を強調。下半身は黒い革製のホットパンツ。魅力的な太ももと膝が丸出し。 成人男性の服装は白いカッターシャツに黒のスラックス。(成人男性の首から上は見せない)
Mode
lite
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.95k

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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