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Revna #Collab_OC
Collab OC with my true love @Maxie The Maximum Bananas 🍌 𝑷𝒍𝒆𝒂𝒔𝒆 𝒌𝒆𝒆𝒑 𝒄𝒐𝒎𝒎𝒆𝒏𝒕𝒔 𝒓𝒆𝒔𝒑𝒆𝒄𝒕𝒇𝒖𝒍 ♡ 𝑫𝒐 𝒏𝒐𝒕 𝒕𝒂𝒌𝒆, 𝒓𝒆𝒑𝒐𝒔𝒕, 𝒐𝒓 𝒄𝒍𝒂𝒊𝒎 𝒎𝒚 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒔, 𝒕𝒉𝒂𝒏𝒌 𝒚𝒐𝒖!
Show Parameters
- Original Prompt
- 1girl, tall, woman, marure, absurdly long white hair, hair thats sheer and has the texture of crystals, ((crystallized hair:2.0)), ((hsir made of crystals:1.2), crystal hair, wavy crystallized hair, iridescent hair shine, light purple hair tinsel, parted bangs, side swept bangs, long sidelocks, purple witch hat, gold trim, glittery hat, crystallized roses on hat, pointed ears, star earrings, golden bracelet, narrow eyes, purple gradient eyes, golden eyeshadow, gold star freckles, star-shaped pupils, pink lips, glossy lips, purple nails, layered purple dress, lace, golden embroidery, (constellations on dress:2.0), (constellation dress:2.0), golden star pattern, high-low dress, gradient dress, (periwinkle gradient dress:1.3), cut outs, golden waist chain, hip ribbons, golden chain, layered jewelry, side cut outs, golden chains on sides, long sleeves, wide sleeves, lace sleeves, layered sleeves, (very wide sleeves:2.0), glittery dress, (sheer layers:2.0) (Cloak:1.2), cape, constellation pattern cloak, golden embroidery, ((Gold constellations on outfit:2.0)) (Using gold glowing magic:2,0), (swirling magic:2.0), (from above angle:2.0), (girl looking up:2.0), (hands up:2.0), ((from above view:2.0)) ,Galaxy, starry sky, stars, star (symbol), ethereal, dreamy, beautiful colors, rich color, masterpiece, scenery, night, dim lighting, dark background, deep colors, ✨, glitter, sparkles, loose glitter, crumbly shine, blue theme, purple theme, , floral background, floral backdrop,modern anime illustration, contemporary style, post 2020, clean linework, polished finish. smooth anatomy, soft facial features, balanced proportions, refined details. high quality illustration ✮⋆˙
- Mode
- lite
- Style
- Classic Anime
- Size
- 768 x 1280
Style: Classic Anime
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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