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ヤチヨ（アポカリプスホテル）
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- (bad quality,worst quality,low quality,bad anatomy,bad hand:1.3), nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name
Model & LoRA used
![[ILXL] Yachiyo ヤチヨ | Apocalypse Hotel アポカリプスホテル - AI Model cover image](https://images-ng.pixai.art/images/thumb/cf771acd-4777-47c2-a214-d763685cedad)
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character: chloe_(pokemon), copyright: pokemon
1girl, solo, (((best quality))), ((ultra-detailed)), 2.9::nsfw, explicit sexual content, rating: explicit::, -2::upscaled, blurry::, shy smile, calm expression, medium sized breasts, slender, fair skin, long hair, dark pink hair, green eyes, eyelashes, braid, single braid, side ponytail, braided ponytail, cherry blossom-shaped scrunchie, hair ornament, square bangs, bangs hanging on right side, flower-shaped light reflection in hair, white pleated skirt, mid-thigh skirt, yellow trim, buttoned shirt, frilly sleeves, pleated center, yellow trim on shirt, belt of ultra balls, waist belt, full body view, full perspective, standing, contrapposto, hands clasped in front of waist, looking to the side, slight blush, head tilt, dutch angle, no text, completely text-free image surface,
A single fair-skinned slender young woman stands full-body in a shallow three-quarter turn, her weight settled on her back leg with the front knee softened inward, shoulders angled away from the lens while her chin dips toward her left shoulder. Her long dark pink hair is gathered into one loose braid drawn over her left shoulder and tied back into a side ponytail by a glossy cherry-blossom-shaped scrunchie that sits high behind her ear; square-cut bangs fall flat and even on the right side of her brow, and a pale flower of reflected light blooms across the crown of her hair where the key light grazes it. Green eyes glance off to the side rather than at the viewer, lids lowered, the corners of her mouth drawn into a small shy smile with a faint blush across the cheekbones and a breath held in her parted lips, her calm expression carried in a still brow. Both hands are clasped loosely in front of her waist, fingers interlaced, and one fingertip rests against the buckle of the belt of ultra balls, which sits level on her hips with the red-and-white spheres nested in their loops. A white pleated skirt cut off at mid thigh flares in crisp knife pleats with yellow trim running along the hem, and above it a buttoned-up shirt closes to the collar, its sleeves ending in frilled white cuffs and a pleated center panel bordered in yellow trim that runs down the placket.
The camera is set low and tilted a few degrees off axis, so the pleats splay outward with the perspective and the shirt's frilled sleeves catch a rim of light; the view holds the full figure from crown to shoes with clear headroom and no crop. The environment is deliberately plain: a seamless empty pale-grey studio sweep with no props, no horizon, no signage and no lettering of any kind. Volumetric cinematic lighting rakes in from the upper left as the single source, striping the studio haze, laying a bright edge down the left side of her braid, scrunchie and skirt hem while deep soft shadow fills the folds of the frilled sleeves and the hollow beneath her chin, and her cast shadow falls away to the lower right. The palette stays restrained to warm white, butter yellow, deep rose pink and her fair skin, with the red-and-white ultra balls offering the only sharp accent at the waist. Fabric detail is concentrated where cloth meets skin: the pleated skirt's stitched yellow edge, the frill of the cuffs, the braid's loose escaping strands, and the faint compression of the shirt pleats where her hands cross. Quiet, bashful.
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