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piyangqiur

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1girl, shuuko komi (komi can't communicate), cheerleader uniform, tank top, pleated skirt, solid color background, white background, dynamic pose, dynamic angle, idol style, race queen outfit, off-shoulder white crop top, checkered decoration, detachable frilled sleeves, pink bow collar, white shorts, belt, fluffy multi-layered back skirt, large back bow, pink hairband, white sneakers, pink sneakers, oogaki style, sketch lines, slight sketch style, sketch outline, blushing, smiling, perfect eyes, mature beauty, mature eyes, well-proportioned body, masterpiece, motherly image, mature woman, slender waist, perfect curves, huge breasts, curvy beauty, young wife, wife image, short hair, black hair, black eyes, half-closed eyes, pink lipstick, choker, flipped hair ends
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Original Prompt
1girl,拉拉队制服,吊带背心,百褶裙,纯色背景,白色背景,动态姿势、动态动作、动态角度、动态视角,,idol style race queen outfit, 露肩白色露脐上衣,格纹装饰,可拆卸褶皱袖,粉色蝴蝶结领口,白色短裤,腰带,蓬松多彩层次感后裙,大蝴蝶结后背,粉色发带,白色运动鞋,粉色运动鞋,大垣风格,素描线,素描,略带素描风格,素描轮廓,素描画,脸红,微笑,,完美的眼睛,成熟之美、成熟之眼、匀称身材、杰作、慈母形象, 成熟的女人,纤细腰身、完美的曲线,极巨大的乳房,曲线美,少妇,人妻形象,,,shuuko komi, short hair, black hair, black eyes, half-closed eyes,Shuuko Komi (古見 秀子) - Komi Can't Communicate (Komi-san wa, Comyushou desu.) (古見さんは、コミュ症です。)粉色口紅,颈环,发梢外翻
Size
768 x 1280
Sampling Steps
18
Sampling Method
Euler a
CFG Scale
3.3
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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