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View detailsBronya Zaychik
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- Size
- 768 x 1280
- Sampling Steps
- 30
- Sampling Method
- Euler a
- CFG Scale
- 5.4
- Negative
- worst quality,bad quality,low quality,lowres,scan artifacts,jpeg artifacts,sketch,bad quality,jpeg,artifacts,signature,username,text,logo,bad anatomy,artist name,artist logo,extra limbs,extra digit,extra legs,extra arms,blurry background,simple background
Model & LoRA used
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Show moreDeepseek(哦鲸鲸大肥鱼)
郁子焼
吃白饭的大肥鱼
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deepseek(?)
inori
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semi-realistic anime style, in the style of Japanese anime illustrations, with a high quality, soft pastel colors, luminous lighting, glassy texture, and an airy atmosphere, featuring delicate lineart, soft gradients, and gentle shading. A cute anime girl with blue long straight hair, blue eyes, and fair skin lies flat on her back on the grass, her head resting on the grass, with a light blue long straight hair spread out around her. She turns her face sideways towards the camera and looks directly at the viewer with a gentle smile, soft eye contact, and a slight blush. Her hairstyle features a curly water-drop ahoge and blunt bangs. She wears a dark blue and white maid outfit with white ruffles on the collar, cuffs, and chest, a dark blue bow at the collar, an oval blue gemstone brooch with gold trim, a dark blue wide belt with gold buttons, a dark blue skirt with a white ruffled hem, and a white ruffled apron with a blue whale pattern. She also wears white pantyhose and dark blue whale fin hair ornaments with small light blue bows. A white ruffled maid headdress adorns her head, and a blue whale tail is visible behind her. The scene is a close-up at night, with a starry night sky, and only she is visible in the frame. The overall color palette is vibrant yet muted, with meticulous attention to texture and detail.
luguan2778
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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