Notice: PixAI iOS App Temporarily Unavailable on the App Store โ Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively wโฆ
View detailsOne Piece
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (extra fingers, bad hands, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
Face Fix
Model & LoRA used
Similar Images
Show moreใใฃใฉใใใชๆตทใฎ็ท
ใใฎใใใกใใ
rw
rabbit white
ๅ
ๅคใฎๆตท่พบใฎใคใฑใกใณ
ๅ่ฆๅ
ซ่ฆ
้กง
character: bryce_callahan
Character: Bryce Callahan (jock studio)
A tall, muscular man, full body shot, front view, eye-level angle. He has solid muscles with clearly visible deltoids, biceps, and eight-pack abs. He is shirtless with bronzed skin; he has messy short orange hair with an undercut on the sides; brown eyes featuring "sanjaku-gan" (three-white eyes) characteristics. He has a bright smile, looking confident and full of energy. He is walking forward with a relaxed pace, arms hanging by his sides. He is barefoot on an outdoor beach, with the ocean, sand, and waves in the background. The sunlight is bright, the sky is clear, and the image features a depth-of-field effect. He is standing on the beach, staring into the camera. The overall style is realistic anime rendering.
The image presents a full-body scene of a tall man walking slowly toward the camera on a bright beach. He is positioned slightly to the left of the frame, with a vast open sky and ocean to the right. He is captured in the moment of taking a step: his left foot is planted firmly on the wet sand supporting his body, while his right knee is bent and swinging forward, with the sole of the foot about a palm's width off the ground, with a few grains of fine sand clinging to the edge. His arms hang naturally at his sides, with his thumbs hooked into the front waistband of his orange-yellow beach shorts, causing the fabric to wrinkle and tighten at the thumbs; his knuckles are resting against his hips. The beach shorts reach the middle of his thighs, the fabric is wrinkled, and the outer hem flutters slightly in the sea breeze. He is shirtless, his entire body bronzed: broad, high shoulders with the edges of rounded deltoids reflecting a bright halo; the lines of his biceps and triceps are clearly visible under the sunlight; his chest is flat, with the contours of the pectoral muscles being exceptionally three-dimensional and the lines hard; the grooves of his eight-pack abs and side abdominals appear particularly three-dimensional under the side-lighting of the low-angle sun. His messy orange-yellow short hair is blown to one side by the wind, with a strand of hair hanging over his forehead; the undercut portion on the sides is darker in color, extending from behind the ears to the back of the neck. His orange-yellow eyes are wide open under relaxed eyelids, with the whites of the eyes showing both above and below the irisโpresenting the "sanjaku-gan" characteristic; one eyebrow is slightly raised, with a cool smile; his chin is slightly lifted, gazing directly into the lens. His shoulders and neck exude a composed yet sunny aura.
้กงๆๆทต
Explore more
Recommended Users
You might like
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
1
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
Comments