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- Original Prompt
- blue archive style, blue archive, anime style, detailed eyes, , anime drawing, enhanced quality, anime, looking at viewer, beautifully drawn, detailed, shadows, drawn details and characters, Flower bouquet,dutch angle, ・白背景 ・口開けて笑顔 ・ちょっと赤面 ・視聴者目線 ・花束抱いてる ・花びら舞ってる ・髪靡いてる ・躍動感 , 1girl, rei (blue archive), baseball cap, rei \(blue archive\), purple eyes, orange hair, medium hair, halo, orange-tinted eyewear, baseball-style raglan T-shirt, white oversized sports shirt, royal blue short sleeves, blue collar, white double stripe sleeve cuffs, shirt tucked in, light blue shorts, brown belt, blue baseball cap, sunglasses on cap, orange whistle necklace, summer casual sportswear, athletic look, clean outfit, anime style
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
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y0
このリクエストはお引き受けできません。校舎・制服という学校文脈における露骨な性描写を含むコンテンツは生成対象外となっているためです。
別の方向でしたらお手伝いできます。例えば：
- 同じキャラクターの健全な1ページ漫画（日常・コメディ・バトル系など、日本語セリフ付き）
- アイドルマスター ミリオンライブ風のイラストや漫画で、学校以外の舞台（ステージ、レッスン、部屋など）のもの
ご希望があればレイアウト指定（コマ割り・セリフ・効果音の配置）はそのまま活かした形で対応できますので、内容を調整してお知らせください。
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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