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Yu-Gi-Oh!, Yu-Gi-Oh! GX
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- not nsfw, woman is not a giant woman, giant woman is less than 999 thousand miles tall, giant woman is smaller than the city, giant woman is only smaller than the entire city, giant woman is not bigger than entire city, giant woman is not bigger than the entire city, small breasts, fat, chubby, people that are not giant women, not a giant woman, giant woman is smaller than the entire city, giant woman is not showing her cleavage to viewer, no cleavage of giant woman, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, EasyNegativeV2, not a giant woman, smaller than large breasts, breasts are less than large, giant woman with smaller than large breasts, no sexual gestures being made by giant woman at viewer, giant woman is not grabbing her butt while facing away from viewer, giant is woman not squeezing her breasts while facing towards viewer, giant woman is not bending herself over forwards away from viewer, giant woman is not bending her self forwards toward viewer, giant woman is not grabbing her butt, giant woman is not grabbing her breasts, giant woman is not having an open cleavage, viewer is not below giant woman, viewer is not under giant woman, anyone that is not giant woman, anyone smaller than the entire city, no full image of giant woman, no complete image of giant woman, no full body of giant woman in view, parts of giant woman outside of image, giant woman is not grabbing her butt while bending her self over, anyone not a giant woman, giant woman is smaller than the entire city, giant woman is not showing her butt to viewer, giant woman is not grabbing her butt while facing away from viewer, giant woman is not grabbing her breasts, giant woman is not grabbing her butt, butt of giant woman is not being above viewer, butt of giant woman is not being over viewer, viewer is not under butt of giant woman, giant woman is not exposing her cleavage, giant woman is not showing her breasts, giant woman is not showing her butt, giant woman is not showing her body sexually, giant woman is not sexually showing her body, giant woman is not sexually showing her body to viewer, giant woman is not sexualizing her body, giant woman is not sexualizing her butt, giant woman is not sexualizing her breasts, giant woman is not sexualizing her vagina, giant woman is not sexualizing her legs, giant woman is not sexualizing her thighs, giant woman is not excessively sexualizing her breasts, giant woman is not excessively sexualizing her butt, giant woman is not excessively sexualizing her vagina, no view from below giant woman, no upskirt view of giant woman, giant woman is hiding her breasts from viewer, giant woman is not showing her panties to viewer, giant woman is not opening her cleavage to viewer, giant woman is not showing her panties while squatting with her butt over viewer, giabt woman is not showing her panties while squatting with her butt above viewer, viewer is not between legs of giant woman, giant woman is smaller than any building, no nudity of giant woman
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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