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jason todd-red hood

Contest Entry
PixAI × Hallelujah Sweets Kitchen – Sweets Personification
#DC Comics#Jason Todd#Red Hood
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1boy, jason todd\(dc comics\), wide shot, full-body, sitting, train seat, hugging flowers, red flowers, guarded posture, gentle expression, subway train interior, window, motion blur, melancholic atmosphere, cold tones, muted blues, steel greys, pale shadows, blurred scenery, cinematic lighting, atmospheric, lens flare, dust motes, warm glow, expressive textures, sketchy aesthetic, polished lighting, beautiful light, best shadow, color blink, oil painting style, painterly brushwork, black and white hair, two-tone hair, muscular body, masculine, brown jacket, black pants, black bodysuit
Show Parameters
Size
768 x 1280
Sampling Steps
30
Sampling Method
Euler a
CFG Scale
3
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose
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Masterpiece, best quality, illustration with crisp dark ink linework and bold loose flat brushstrokes, solid painterly color blocks with thin coral-red edge light along the silhouette, parked car interior at sunset with the city painted in loose strokes beyond the windows. Wide-angle three-quarter shot from the passenger seat at a slightly low angle with a gentle dutch tilt, a mature man sitting upright in the driver's seat, framed from the waist up with his face large in the upper third, his shoulders facing the windshield and only his head turned toward the viewer in a three-quarter front view. He has been waiting in the parked car for the person now opening the passenger door, half-lidded eyes fixed on the viewer, a slow confident smirk showing a hint of teeth, softened by a trace of shyness at the corners of his mouth. One hand rests on top of the steering wheel at the far left edge of the frame, a steel watch catching the light; the other hand holds a bouquet upright against his chest, just below his chin and at the same depth as his face, as if he is about to hand it over but hasn't yet. Ash-blond hair pushed back with loose strands falling over the brow, sharp jaw, a small silver ring in one ear, a faint warm flush across the nose, cheekbones and ears. He wears a long charcoal wool coat open over a black fine-knit turtleneck, the collar slightly turned up, a thin silver chain at the neck. The bouquet is loosely wrapped in cream paper tied with a thin coral ribbon, full of coral ranunculus, white lisianthus and sprigs of dusty eucalyptus, a few petals fallen onto his coat lapel and lap, a small folded card tucked among the stems. Behind him the driver's window and windshield open onto a long street receding in deep perspective, glowing building faces, a row of street lamps just coming on and a few cars reduced to simple strokes. Strong low sunset light pours in through the driver's window behind him, rimming his hair, ear and shoulder in orange and glowing through the thin flower petals, while soft warm bounce light from the dashboard fills his face so every feature stays clearly readable, cool teal shadows in the seat leather and the folds of the coat. Bold palette of burnt orange, coral and deep teal-blue against black and cream. Lazy, warm, quietly smitten mood, shallow depth of field with the face in sharpest focus, extremely detailed eyes, hair strands, petals, paper folds and hands, correct anatomy, natural proportions, well-formed hands.
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