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kou-ji

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kou-ji

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character: spider-man, character: deadpool, A medium shot from a eye-level perspective with a 30-degree Dutch angle, featuring Spider-Man and Deadpool in a spatial confrontation within a ruined interior. Spider-Man, wearing his classic red and blue two-tone bodysuit with spider-web prints, is positioned with his back to the viewer, his arms spread wide in a gesture of utter helplessness and exasperation. Facing him, Deadpool, in his signature red bodysuit and gloves, holds a copy of New York Magazine featuring Spider-Man on the cover; he is affectionately rubbing his masked face against the magazine, with small heart symbols floating around his head to express his adoration. The setting is a chaotic indoor ruin at night, with cold moonlight streaming through cracks in the ceiling, illuminating debris and rubble scattered across the floor. The visual style is a painterly anime illustration characterized by bold silhouettes,濃厚色彩 (rich, bold colors), flat yet textured surfaces with loose brushstrokes, splashy accents, graphic contrast, and minimal linework, creating a stylized and expressive atmosphere.
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Original Prompt
鏡頭：平視角，中距離，旋轉30度鏡頭 美術風格：濃厚色彩 人物1：蜘蛛人(經典服裝)，背對著觀眾，面向死侍(Deadpool)，雙手攤開擺出無奈的動作 人物2：死侍(Deadpool)，面向蜘蛛人，手上拿著一本封面是蜘蛛人的New York Magazine，用臉磨蹭雜誌，愛心表情符號。 環境：室內：混亂的廢墟內，夜晚月光
Mode
pro
Style
Tender Brushstroke
Size
1280 x 720
Negative
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, chest hair
Style: Tender Brushstroke

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.82k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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