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Twintails, Glasses
Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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(masterpiece, amazing quality, great quality, perfect eyes, perfect face, perfect hands), indoors, 1girl, best aesthetic, best quality, kitchen, oven, BREAK, 1girl, scarlet el vandimion, scarlet el vandimion \(madan no ou to vanadis\), white hair, long hair, ponytail, turtleneck sweater, overcoat, long skirt, neck ribbon, small smile, fur-trimmed boots, (((standing))), cel-shading, clean lines, score_9, score_8_up, score_7_up, source_anime, (masterpiece, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic), high-res
Xedrix
料理している猫耳少女
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character: yan_vismok. A medium shot from a front-facing angle depicts yan_vismok sitting at a kitchen table in a modern house at night. The character has a gentle smile with closed eyes and is wearing round-rimmed glasses, which they are adjusting with their fingers. They are dressed in a gray off-the-shoulder short top featuring a knitted insert and voluminous sleeves with drawstrings, paired with black short shorts tied at the waist, black lace-trimmed stockings, and large black wool slippers adorned with bows. A subtle otokonoko bulge is visible in the groin area. On the table beside them lies a book. The setting is a dark, modern kitchen without any lights on, creating a dim, nocturnal atmosphere. The scene is rendered as a high-quality anime illustration with a focus on the soft textures of the knitwear and wool, with the moonlight providing the only faint illumination.
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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