Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

AI artwork featuring #Dandadan and #Momo Ayase
Generate New ArtworkGenerate for FreeGenerate for Free

Momo Ayase, Dandadan

#Dandadan#Momo Ayase
s2

silag21665

More to See

Comments

ayase_momo, dandadan, anime art style with clean lines and cell shading. She is sitting inside the rear compartment of a police transport van, positioned properly on a worn beige padded bench seat. Her hands rest on her knees, with detailed metallic handcuffs around her wrists. She wears a black leather crop top showing cleavage and midriff, a black choker, teardrop earrings, and an orange prison jumpsuit with buttons over the crop top. The interior is a realistic Japanese police van with metal security bars, a reinforced partition between compartments, metal mesh barriers, barred doors and windows, gray metallic panels, ceiling ventilation grilles, rectangular ceiling lights, textured rubber floor, and industrial details. The view is from inside the rear prisoner compartment, a wide shot with centered composition, the character on the right side of the frame, and a large barred door on the left. Through the barred windows, an urban Japanese city street is visible with parked cars, storefronts, Japanese signs and advertisements, daytime, and natural daylight entering.
Show Parameters
Original Prompt
anime art style, clean lines, cell shading, She wears , black leather crop top, cleavage, midriff, navel, black choker, teardrop earrings,and orange prison jumpsuit with buttons, her black leather crop top is visible .sitting inside the rear compartment of a police transport van,,sitting properly on a worn beige padded bench seat, hands resting on her knees, metal handcuffs around her wrists, detailed metallic handcuffs., interior of a police prisoner transport vehicle, realistic Japanese police van interior, metal security bars, reinforced partition between passenger compartment and driver, metal mesh barrier, barred doors and windows, gray metallic interior panels, ventilation grilles on ceiling, rectangular ceiling lights, worn beige bench seats, industrial details, textured rubber floor, realistic vehicle architecture.View from inside the rear prisoner compartment, wide shot, centered composition, character sitting on the right side of the frame, large barred door on the left, detailed vehicle interior surrounding the character. Through the barred windows, an urban Japanese city street is visible, parked cars, storefronts, Japanese signs and advertisements, daytime, natural daylight entering through the windows. .
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
768 x 1280
Sampling Steps
25
Sampling Method
Euler
CFG Scale
4.5
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Model & LoRA used

Tsubaki - AI Model cover image

PixAI DiT.1

Tsubaki
8.73k
Momo Ayase Dandadan - AI Model cover image

User LoRA

Momo Ayase Dandadan
4

Similar Images

Show more
AI artwork
g2
yamada_anna, a female character, has long, polished black hair tied into a high ponytail, with neat central bangs and long hime-cut side locks. Her brown eyes are crying. She is wearing a tight, seamless leather orange zipped bodysuit, which resembles a prison leather bodysuit, and a ruffled choker. She appears sad and struggling, with a depressed expression, and is sitting alone inside a dimly lit police transport bus. Her hands are handcuffed in front of her with silver metal cuffs. The interior of the bus shows rows of empty, slightly worn seats, metal bars over the windows, and warning signs with Asian characters and the word 'POLICE'. Outside the barred windows, it is a rainy night in the city, with blurred glowing neon lights and wet streets visible through the rain-streaked glass. The lighting is cinematic, and the environment is highly detailed. The scene conveys a sense of isolation and despair, with a focus on the character's emotional state and the gritty, realistic setting. The style of the image is realistic, with a dark and moody atmosphere.
grey20
#Promise With Scylla
AI artwork
n
Mazaki Anzu, a young woman with brown, short, bobbed hair, parted bangs, and blue eyes, displays a neutral expression while sitting in the exact middle of a vehicle backseat. Her arms are pulled tightly behind her back and handcuffed, her hands completely hidden from view. She is wearing a black buckle choker, an open orange PVC prison jumpsuit, a black PVC crop top, and a fishnet underlayer, with a visible belly button piercing. She is flanked by two female police officers in blue uniforms, one seated on her left and one on her right. The composition is centered, front view, with Anzu facing the camera directly, looking straight at the viewer. The background is a car interior, and the lighting is daylight. The style of the image is high-quality anime style with cell shading, featuring a detailed and realistic texture that enhances the scene's atmosphere.
nicosingapur
#Perlica in Hanfu

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile