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- Original Prompt
- masterpiece,best quality,amazing quality,very aesthetic,high resolution,ultra detailed,perfect details, 1girl,solo,hisato azuma, brown hair, mature female, anime screencap, ponytail, ,medium long shot,high angle,from above,overhead three-quarter view,dutch angle,tilted frame,diagonal composition,strong perspective,sitting on wet ground,seated on pavement,curled-up pose,knees drawn up,hugging knees,both arms wrapped around legs,hands clasping forearms,shoulders hunched,body folded inward,thighs close to chest,both legs bent,feet placed to the side,legs extending toward foreground,strong leg foreshortening,looking up,looking at viewer,worried expression,vulnerable expression,surprised expression,slightly open mouth,parted lips,wide eyes,flushed cheeks,rainwater on face, ,plaid cuffs,black thighhighs, see-trough thighhighs, silver toe caps,school bag beside her,large navy school bag,white bag straps,rainy night,dark alley,building entrance,concrete pavement,metal railing,wet floor,heavy rain,diagonal rain streaks,raindrops on clothes,puddles,glossy pavement,cool blue ambient light,dim streetlight,soft reflected light,wet highlights,soft mist,subtle bloom,tense quiet atmosphere,lonely rainy night, ,,folded ponytail, skirt suit,jacket,collared shirt,pencil skirt,black skirt,high heels
- Size
- 768 x 1024
- Sampling Steps
- 12
- Sampling Method
- Euler a
- CFG Scale
- 1.9
- Negative
- bad quality,worst detail,sketch,censored, artist name, signature, watermark, low quality, worst quality, blurry, (deformed:1.3), extra fingers, cartoon, 3d, anime, bad anatomy
Model & LoRA used
![Hisato Asumi: [Himawari wa Yoru ni Saku (Web)] 東 陽里 - AI Model cover image](https://images-ng.pixai.art/images/thumb/83cc0e9d-fb68-4d5a-828c-edd43ef6e849)
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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