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LORE) Kingdom of Arcadia, Recap & Summary: Part 3

This is the final part of the recap of what I have been publishing about the events taking place in the Kingdom of Arcadia. I recommend reading the previous parts if you do not want to lose track of the narrative thread of the story. Later on, I will expand the Lore and the story even further, but before that, I will make recaps concerning what happens in other kingdoms in other posts. In the future, there may possibly be new parts concerning the Kingdom of Arcadia, as I will also continue expanding its lore. Link to Part 1: SPANISH: https://pixai.art/artwork/2049535317292523787?utm_source=copy_web ENGLISH: https://pixai.art/artwork/2049538409295047959?utm_source=copy_web Link to Part 2: SPANISH: https://pixai.art/artwork/2049543182567895371?utm_source=copy_web ENGLISH: https://pixai.art/artwork/2049549817207345284?utm_source=copy_web Now we can continue. 11) “Factional Gang Fighting in Matorias” Once again, we explore another entry from Ficlas' diary, in this section titled “Factional Gang Fighting in Matorias.” Since becoming a member of the third rank of the Red Diadems, he has participated in various clashes against other criminal organizations in the city of Matorias (the Duchy of Matorias takes its name from this city). SPANISH: https://pixai.art/artwork/1927780023671506724?utm_source=copy_web ENGLISH: https://pixai.art/artwork/1927794399140133214?utm_source=copy_web In this text, our astute character describes some of the geographical features of the city and how they are connected to the development of criminal activities. He also demonstrates the importance that his family (Carla and Cintia) holds for him, as well as the consequences and dangers of being part of the organization. 12) “The War for the Underworld in Matorias” We once again return to Ficlas' own account in his diary, this time concerning “The War for the Underworld in Matorias.” It consists of two parts. SPANISH 1: https://pixai.art/artwork/1934998285976522291?utm_source=copy_web SPANISH 2: https://pixai.art/artwork/1935005032862740882?utm_source=copy_web ENGLISH 1: https://pixai.art/artwork/1935018680557470333?utm_source=copy_web ENGLISH 2: https://pixai.art/artwork/1935022287170872727?utm_source=copy_web It describes the confrontation between the Red Diadems and a coalition of criminal organizations in the city. Ficlas points out how the actions of the government forces indirectly benefited the Red Diadems during the clashes and raids. He suspects that important government officials are involved with the organization, as well as questioning how old the organization actually is, given its enormous logistical capabilities. He also writes here about the organization's cruelty and about the difficulty, or even impossibility, of leaving the organization once one becomes a member. 13) “The Control of the Underworld in Matorias” This is, so far, the latest section I have written. It is narrated by Ficlas through his diary and is titled “The Control of the Underworld in Matorias.” It consists of two parts: SPANISH 1: https://pixai.art/artwork/2014039503384197777?utm_source=copy_web SPANISH 2: https://pixai.art/artwork/2014041763038413645?utm_source=copy_web ENGLISH 1: https://pixai.art/artwork/2014070571372019004?utm_source=copy_web ENGLISH 2: https://pixai.art/artwork/2014072917498534809?utm_source=copy_web In this section, Ficlas describes in his diary what happened after the Red Diadems' victory over the coalition of criminal organizations in the city, what he believes the organization's strategy and logic to be, based on the mission his group has been assigned to carry out. We also get another glimpse into Ficlas' psychology, including his own personal reservations about the overly simplified way in which the organization views the world. 14) Here we have a letter personally written by the wife of the Marquess of Arquía, Noelia Sirtilia, to the King of Arcadia. SPANISH 1: https://pixai.art/artwork/1916538920189937690?utm_source=copy_web ENGLISH 2: https://pixai.art/artwork/1916543274991818286?utm_source=copy_web She urges King Reinhart III of Arcadia to send reinforcements to the south because she has learned that the Duke of Matorias, Archmage Wortias, has betrayed the kingdom, and she promises to resist in his name. 15) Here I will limit myself to describing one of the latest chronological sections of what I have written in the prologue concerning Arcadia. It is the character profile of Noelia. In the future, I will talk more about her, Arcadia, and many other characters from this kingdom who are extremely relevant. The profile addresses matters from her past, but most importantly, it is written from a perspective contemporary to “The Twilight.” SPANISH 1: https://pixai.art/artwork/1915841723272472479?utm_source=copy_web ENGLISH 1: https://pixai.art/artwork/1915843435671730039?utm_source=copy_web ENGLISH 2: https://pixai.art/artwork/1915846660744996049?utm_source=copy_web It explains the background of the woman who wrote the letter asking the king for reinforcements. She is a commoner who cared for an orphanage and was ennobled through her marriage to a man who had also recently been ennobled, only a few years earlier, for his services and merits in the wars. Noelia is the wife of the Marquess of Arquía, a small marquisate in the southernmost region of Arcadia, which is also located south of the Duchy of Matorias. It describes what Archmage Wortias did during “The Twilight” and what she did as well. In the future, I will continue expanding the story of the prologue and adding elements that will allow many events to be connected. For now, this is what I have covered concerning the Kingdom of Arcadia. There are still many pieces that I have yet to place between sections 13 and 14, and some other pieces may chronologically belong to an earlier point in the timeline than the one described here. What matters is that I have more or less established the chronological order of the events in Arcadia.

#sitting#long hair#brown hair#Smile#brown eyes#Long sleeves#Girl#Reading#Fantasy#Fantasy Lore#Lore
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1girl, 30 years old 1,1, mature features 1,1, adult female 1,2, mature woman 1,1, elegant, solo 1,3, long dark brown hair, light brown eyes 1,1, hair with highlights 1,1, medieval costume 1,1, humble, kind, gentle 1,2, smile 1,2, serene 1,2 , scene takes place in aa nobleman's study 1,1, she stands behind a reception desk 1,1, the desk has a bell 1,1, papers on the desk, reading 1,1, composed, masterpiece, hyper-detailed, high contrast, depth of field, ray tracing, best lighting, cinematic composition, beautiful face, beautiful eyes, sharp focus, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), detailed background, character focus, glowing particles, glowing, hyper-detailed, high contrast, depth of field, ray tracing, best lighting, cinematic composition, beautiful face, beautiful eyes, sharp focus, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (detailed background),perfect anato,highly_clear_and_detailed_foreground_with_visible_lineart_and_preserved_colors, distant_background_rendered_as_solid_black_silhouette_shapes_with_minimal_details, massive_graphic_cloudscape_with_bold_ink_outlines_and_watercolor_gradient_shading, distinct_ink_based_lineart_with_thin_lines_screen_tone_and_woodblock_texture, vibrant_watercolor_gradients_with_limited_color_palette_and_high_contrast,harukav2 style
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