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View details夢見る白髪少女
この絵は私のお気に入りの白髪少女のイラストです。彼女の純粋な瞳と優しい表情に、いつも癒されます。特に彼女の繊細なデザインと幻想的な色合いが私の心を掴んで離しません!もし気に入ったら、いいねやフォローをお願いしますね。これからも素敵な作品を投稿しますので、コメントも気軽にどうぞ!
Show Parameters
- Original Prompt
- A girl, frills, ribbons, lace, harness, Clean outline, delicate, masterpiece, smooth shading, shiny hair, glass hair, hair reflection, high saturation colors, glass-like hair, dreamy soft lighting, twin tails hairstyle, white hair, dreamy effect lighting, small head, tiny body, ultra moe style, soft gradient eyes, low-set eyes, tiny nose, tiny mouth, babyface, a girl. Based on white. A cute dress with lots of lace. Sparkling. Pink eyes. Pale, pierced earrings, Yumekawa, sketch, rough lineart, expressive lineart, anime illustration, semi-painted, painterly shading, soft coloring, delicate details, thin lines, fine lineart, detailed eyelashes, soft lighting, delicate rendering, illustration style
- Mode
- ultra
- Style
- Moe Pastel
- Size
- 768 x 1280
- Negative
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Style: Moe Pastel
Model & LoRA used
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Pale pink hair, red eyes, side-tail buns, loosely curled, straight-cut bangs, hime-cut sides, facing forward, kawaii, flat shading, delicate illustration, ephemeral atmosphere, kanairo style, cute, masterpiece, best quality, high quality, highres, ultra detailed, highly detailed, intricate details, detailed illustration, sharp focus, clean lineart, beautiful detailed eyes, detailed hair, detailed face, anime illustration, anime style, digital painting, cell shading, soft shading, detailed lineart, clean lines, high contrast, glossy highlights, reflective texture, vibrant highlights, stylized eyes, modern anime style
Mirin0628
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
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