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金髪の男の子
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はな
hnd_magical_shadow_and_magical_highlight, hndir3_juwa_color_magic magical art, anime eyes, douyin eyes, detailed eyes, high detail eyes, multicolored iris, detailed iris, full lashes, dark lashes, (soft layered hair with large flowing locks subdivided into densely drawn fine strands, overlapping curved strands, finely separated wispy ends:1.4), Masterpiece, best quality, 1male, solo, looking away, no expression, detailed character design, in the shade of a tree, high angle, green eyes, detailed irises, distinct boundary between the white of the eye and the iris, white eyelashes, long eyelashes, white lower eyelashes, glowing eyelashes, deep-set face, parallel double eyelids, wide double eyelids, distinct dusty pink inner corners of the eyes, straight white blonde, center parted bangs, chin length bangs, medium hair, shoulder length back hair, high nose, beautiful nose, straight nose bridge, pale yellowish-green dress shirt open to the second button, brown vest, Pinstripe brown jacket, half body, contrast of light and shadow, warm sun light, highest quality, high definition, delicate modern Japanese anime illustration, low saturation, transparency, subtle hand-drawn feel, based on clean and organized anime coloring with delicate color fluctuations. Important: do not cast shadows on the screen. [Line art] Clear and slightly strong outer contours and facial outlines, thin and delicate lines inside the face, natural line strength and pressure variation, hand-drawn style lines that are not too uniform. Line colors are not pure black, but subtly mixed with dark brown, dull dark purple, or bluish gray depending on the original color. Maintain sharp contours without blurring. [Color - Most Important] Clearly maintain original hair, eye, skin, and clothing colors. Prioritize inherent colors. From a distance, it looks like a single color, but up close, it contains multiple subtle colors. Do not cover the entire screen with a single color filter; do not unify everything in orange, pink, blue, or purple. Inherent colors occupy most of each area, and different hues are mixed very faintly in very small areas. Do not create large color patches of purple, blue, orange, or pink. Hue changes should blend naturally into the inherent color, noticeable only upon close inspection. Avoid simple "base color + dark shadow" two-tone coloring; include very fine hue differences within the same color. Shadows are not made by just adding black, but by slightly shifting the hue while maintaining the inherent color. Mix low-saturation grayish-purple, blue-gray, reddish-purple, pink, or yellow-orange very thinly and translucently into parts of the shadows, ensuring the inherent color shows through. Hue changes are limited to overlapping hair strands, just inside the outlines, shadow boundaries, reflected light, and small areas like ears, cheeks, and the neck. Not a perfectly smooth digital gradient, but a very fine color fluctuation and slight irregularity, like layering multiple thin colored pencils. Avoid large watercolor stains, flashy color splashes, or clear color patches. Overall gentle low saturation, but not uniform; only very small parts of the inherent color are slightly vivid. Colors should look as if another color is slightly dissolved into the original. [Skin] Bright and clean skin, avoid over-drawing facial shadows. Maintain basic skin color, with very thin warm color changes only on cheeks, eyes, tip of the nose, ears, chin, and neck. Focus on pale pink, light vermilion, and yellowish skin tones, mixing grayish-purple or blue-gray only slightly into shadows. Very thin warm-colored fine line hatching on cheeks. Shadows cast by hair on the face are relatively clear, while other facial shadows are faint and soft. No clear color patches of purple, blue, or orange on the skin. Use hue changes close to the inherent color, mixing very thin grayish-purple, blue-gray, pink, or yellow-orange only in some shadows or reflected light. Hair highlights should not be pure white bands, but soft light that thins the inherent color. Clearly maintain the original eye color, with the upper part being slightly pale and transparent. Do not make the contrast between light and dark too strong. Large shadows are organized like watercolors, using colored shadows that retain the inherent color rather than just black or gray. Add very thin, pale warm or cool color changes only to the boundaries of shadows. No strong chromatic aberration or neon color outlines. [Texture] Fine grain, very thin paper-like roughness, and a texture that feels like overlapping colored pencils. The coloring remains clean and organized, adding only a slight analog feel to the color. Avoid excessive watercolor or heavy paint expressions. [Overall] Clean and delicate modern illustration, clear line art, organized coloring, low saturation and transparency. Delicate color expression where pale different colors dissolve only into color boundaries or inside shadows without distorting the inherent color. Simple and unified color scheme from a distance, with subtle fluctuations of warm and cool colors visible up close. Information density: eyes/eyelashes > hair/outlines > skin.
はな
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1boy, 17 years old, high school student, suit, vest, blonde hair, side-swept all back, short hair, extremely beautiful young man, beautiful, ephemeral, jewel-like beautiful blue eyes, beautiful, well-proportioned features, expressionless, slender, tall and lean, elegant, 748cmstyle, Rolua Noa \(artstyle\), ((eyelashes)), stippling \(texture\)
なうだお
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