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はぐるめぐると灯織

#The Idolmaster#Hachimiya Meguru#The Idolmaster Shiny Colors#Hiori Kazano
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character: kazano_hiori, hachimiya_meguru, (masterpiece, best quality, high resolution, illustration), two girls, Hachimiya Meguru is behind Kazano Hiori, Hachimiya Meguru is hugging Kazano Hiori from behind, Kazano Hiori (THE IDOLM@STER SHINY COLORS), long hair, half-up, black hair, blue eyes, small breasts, 17 years old, school uniform, black blazer, blazer open, cream-colored vest, collared white shirt, blue tie, surprised, startled, Hachimiya Meguru (THE IDOLM@STER SHINY COLORS), low twintails, blonde hair, large breasts, 17 years old, school uniform, navy blue polo shirt, mini skirt, skirt is brown check pattern with red base, smiling, eyes closed, happy, pleasant expression, white background, cowboy shot, angle from the left, [cinematic composition, depth of field, film grain], harukav2 style, (anime coloring:2.0), detailed body, smooth skin, sharp focus, SD digital animation, (clean lines:1.2), (anime line art:1.5), bright and soft anime style, skin tone
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Original Prompt
(masterpiece, best quality, high resolution, illustration), 女の子二人 風野灯織の後ろに八宮めぐるがいる、 八宮めぐるが風野灯織を後ろから抱きついている、 風野灯織(アイドルマスターシャイニーカラーズ)、 ロングヘアー、ハーフアップ、黒髪、青い瞳、 small breasts、 17歳、 制服、黒のブレザー、ブレザーの前は開けている、クリーム色のベスト、襟付き白いシャツ、青のネクタイ、 驚いている、びっくりしている、 八宮めぐる(アイドルマスターシャイニーカラーズ)、 ローツインテール、金髪、 large breasts、 17歳、 制服、紺色のポロシャツ、ミニスカート、スカートは赤いベースの茶色チェック柄、 笑顔、目をつぶっている、嬉しい、気持ちよい表情、 白い背景、 カーボーイショット、左からのアングル、 [cinematic composition, depth of field, film grain],harukav2 style,(anime coloring:2.0), detailed body, smooth skin, sharp focus, SD digital animation, (clean lines:1.2), (anime line art:1.5), bright and soft anime style, skin tone
Mode
pro
Size
768 x 1280
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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