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太郎

太郎

太郎

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character: reisalin_stout, A dynamic medium shot from a low angle depicts Reisalin Stout thrown violently prone across a hard, sun-drenched dirt ground. She is sliding forcefully forward, her upper body arched back while her chest is pressed firmly against the earth, revealing her plump cleavage. Her arms are stretched back along her sides with hands spread weakly. Her thick thighs and hips are pushed upward and inward toward the top center, with her red short shorts torn to expose her buttocks. Her face is contorted in pain and shame, right eye closed and streaming tears while her mouth is open in a scream. Her brown hair is disheveled and covered in dust, and her hat and clothes are tattered and riddled with countless scratches and wounds. The image is rendered in a collage style with mixed media textures, cut paper elements, a layered scrapbook composition, and a vintage magazine cutout feel, creating a fragmented visual atmosphere.
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Original Prompt
・ライザのアトリエのライザのイラスト ・ライザは公式イラストに極力似せる ・場所は晴れの屋外、固い土の上 ・ライザは惨敗し、ボロボロにやられた ・ライザは敵から激しく吹き飛ばされ、地面にうつ伏せに叩きつけられた ・ライザはうつ伏せのまま、上半身を仰け反らし、地面を勢いよく滑っている ・ライザはCカップの張りのあるおっぱいを地面に押し付け、うつ伏せで地面を滑っている ・ライザはむっちりした胸の谷間が見えている ・ライザは、両腕を身体の側面で後ろに伸ばし、両手を弱々しく広げている ・ライザはお尻と両脚が太くムチムチしている ・ライザは短パンが破れ、尻が丸見え ・ライザは両脚を画像上部中央に向かって内股気味に真っ直ぐ伸ばしている ・ライザはおっぱいが地面に激しく擦れ、とても痛がり恥ずかしそうな表情 ・ライザは右目を閉じ、涙を流し号泣している ・ライザは口を開けて悲鳴を上げている ・ライザは顔と身体中に無数の傷がありボロボロ ・ライザは髪が乱れ、土埃まみれでボサボサになっている ・ライザは服や短パンや帽子が破れてボロボロ ・ライザは痛さのあまりピクピクしている
Mode
pro
Style
Vintage Collage
Size
768 x 1280
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution
Style: Vintage Collage

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.75k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
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