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- Original Prompt
- 白髪で毛先になるにつれ水色になる猫っ毛ウルフカット。 中性的な顔つきで猫っぽさもある。 キョンシーとフェネックの獣人のミックス。 大きい耳と後ろで結んでいる一本の三つ編みが特徴的。 歯はギザ歯の舌が青っぽい緑。 目の下にうっすらと隈がある。 瞳の色はグレー。 服はオーバーサイズの白いテック系ジャケット、ゆったりとしたシルエット、青と水色の幾何学模様のパネルデザイン、ネオンイエローとシアンのアクセント、黒と白のストライプ入りリブ袖、フロントジッパー、黒いベルト状のストラップとバックル、袖に青い発光風のグラフィック、肩を落として羽織った状態。 黒のクロップドノースリーブトップス、タイトなシルエット、へそが見える丈、黒のハイウエストショートパンツ、ゆったりめのシルエット、青いストラップとアクセント。 白×黒のハイカットスニーカー、厚めのソール、黒いシューレース、青と水色のディテール、テックウェア、サイバーストリート、スポーティー、近未来的なファッション。 困り眉。 耳の中はピンク。 性別は男。細身の骨格。 中華っぽい背景をちゃんとつけて 動きのあるポーズで、体全体が映るようにして
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- lite
- Size
- 768 x 1280
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kaedeisizaki
user-2007890982591251268
クールで可愛いケモミミ男子
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score_9, score_8_up, score_7_up, source_anime, (((masterpiece, intricate details, ultra hires, illustration, detailed, 4k, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic))), Glass Aetheris, cute, 1boy, cute boy, highly detailed, clean composition, short hair, white hair, fox ears, animal ears, tank top, sheer haori, see-through clothing, jewels, gems, star hair ornament, hair ornament, young boy, child, scar on arm, old wound, small scar, barefoot, sitting on throne, throne, smile, tongue out
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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