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- 明显的黑色瞳孔,灰色眼睛,纯白头发,银色头发, ,fuyukawa kagari, light grey hair, grey eyes,hair between eyes, long bangs, braided bun, large breasts 巨大的胸部,big breast,巨乳,明显的乳沟,美丽的肩,锁骨,脸红,correct body,correct hands,slender body of girl,正确的人体结构,完美的手,完美的手指,禁止多余手指,禁止手崩坏,perfect hands,纯白色头发, 线条偏细、柔和圆润,大量软曲线,偏漫画印刷风格,线条简约 平涂为主,柔和少对比。阴影是大块简单色块,过渡少,几乎没有细腻渐变;发色是浅灰白,明暗差距很小;腮红是一大片淡淡的粉色,马卡龙低饱和配色,整体是漫画彩页质感。脸型更圆,幼态,眼距略宽;是典型漫画萌系五官;漫画彩页: 日系漫画彩页,平涂上色,少渐变,低对比度,萌系, artist:kazutake hazano character:fuyukawa kagari white hair,sidelocks,,豪华纯白高定婚纱,厚重珠光贡缎面料,心形抹胸领口,鱼骨强力收腰剪裁,巨型瀑布式大拖尾裙摆,通体立体3D花朵贴花,密镶碎钻,层叠雾感薄纱外裙,镂空复古蕾丝镶边,蓬松羊腿泡泡长袖,长款过肘白色蕾丝刺绣手套,手套珍珠碎钻点缀,双层复式云朵头纱,超长三米拖地头纱,头纱边缘复古蕾丝滚边,宽大缎面蝴蝶结置于腰后,缎面防滑内衬,多层蓬蓬衬裙,精致蕾丝颈圈配饰,低胸 一个女生,一个男人,丑陋的光头男,棕黑色皮肤男人,男人没有眼睛,极其肥胖的男人,裸体男人,男人有大量胸毛,nsfw,explicit, 分镜数量:2个 上方分镜(约占画布上方35%高度,横向全宽) 中远景:女生仰躺在床上,双腿自然分开,双手摊开在身体两侧,胸部与阴部完全露出,双眼失神。 下方主分镜(约占画布下方65%区域,接近正方形) 极近景特写:女生胸部与阴部,精液从阴道口缓缓流出,双眼失神向上望。 气泡1(较小,左下):女生失神短句 气泡2(极小,右上,可选旁白)
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- Style
- Chromatic Pencil
- Size
- 1024 x 1024
Style: Chromatic Pencil
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soft anime shading, gentle gradients, smooth clean lineart, soft pink cheek blush, smooth grouped hair, rounded facial contours, large translucent eyes, pale pink skin, soft blue-purple-pink palette, soft anime shading, gentle gradients, smooth clean lineart, soft pink cheek blush, smooth grouped hair, rounded facial contours, large translucent eyes, pale pink skin, soft blue-purple-pink palette, gentle natural shadows
1girl,solo,white hair, single bun hair ,bridal veil, blue eyes, large breast, wedding dress, gloves white, juliet sleeve, long sleeve, long dress, puffy dress, earrings , pearl jewelry,tiara, multiple necklaces,hugging pillows, night, on bed, ready to sleep ,yawning, sound effects,
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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