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AI art "イヴと原罪の蛇《Serpent of Original Sin》"
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イヴと原罪の蛇《Serpent of Original Sin》

イヴと原罪の蛇を、 Hiresで画質を強化したバージョンです。 これ一枚しか、形にならなかった。 Hiresはまだ使い方が難しくて。 めっちゃ失敗しまくりです。

Contest Entry
Minimalistic Composition
#Barefoot#long hair#Black hair#Bracelet#snake#Chair#Reflection#Bare legs#Bare shoulders#Sleeveless dress
Avatar image of マルベリー
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マルベリー

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((masterpiece)),((highest quality 16k)),((detailed and delicate)),best quality,intricate,warm light,shading,(illustration),ultra-detailed,(extremely delicate eyes:1.2), natural folds, fabric tension, layered clothing,delicate fingers, (full body, wide angle lens, upward front perspective, from below), 1girl,slender, intricate detailed face, beautiful detailed eyes, soft skin texture, black hair,long hair,(majestic snake wrapped her body:1.3),(vibrant blue Cheongsam,The dress is gorgeous and refined detailed snakes),(sitting on the chair grasping both knees),(Pale skin,morbid,expressionless,filthy,Apathy,barefoot,large dark nook under the eyes,(horror,horror-toned,dark tones),extremely detailed water,water reflecting light), depth of field,light and shadow, HK7Style, , vibrancy, colored lineart, oil paint , thin lines, few lines, delicate lines,, , ,
Show Parameters
Original Prompt
((masterpiece)),((highest quality 16k)),((detailed and delicate)),best quality,intricate,warm light,shading,(illustration),ultra-detailed,(extremely delicate eyes:1.2), natural folds, fabric tension, layered clothing,delicate fingers, (full body, wide angle lens, upward front perspective, from below), 1woman,slender, intricate detailed face, beautiful detailed eyes, soft skin texture, black hair,long hair,(majestic snake wrapped her body:1.3),(vibrant blue Cheongsam,The dress is gorgeous and refined detailed snakes),(sitting on the chair grasping both knees),(Pale skin,morbid,expressionless,filthy,Apathy,barefoot,large dark nook under the eyes,(horror,horror-toned,dark tones),extremely detailed water,water reflecting light), depth of field,light and shadow, HK7Style, , vibrancy, colored lineart, oil paint , thin lines, few lines, delicate lines,
Quality Tag
(Masterpiece), (Best quality), Super fine illustration, Clear picture, Intricate details, Insanely details, Color detail, Intricate colors, Very aesthetic, Absurdres, Stunning, Exquisite designed costume, , ﹝Prompts﹞
Size
731 x 1024
Sampling Steps
11
Sampling Method
Euler a
CFG Scale
3
Seed
5569887245188281
Negative
worst quality,low quality,normal quality,multiple angle,blurry,lowres,low resolution,bad anatomy,bad hands,bad legs,mutated hands,extra digit,fewer digits,error,jpeg artifacts,missing limb,missing fingers,missing arms,missing legs,longbody,longneck, ugly, bad face, deformed face, deformed eyes, extra pupils, bad proportions,
Face Fix
HiRes

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1girl, solo, very long hair, black hair, blunt bangs, red eyes, medium breasts, cleavage, black dress, earrings, jewelry, red nails, black nails, nail polish, closed mouth, smile, looking at viewer, hand up, sitting, sitting on throne, crossed legs, feet out of frame, snake, snake hair, red background, simple background, no lineart, A single seated figure fills the frame in a slight low-angle close-up that crops her at mid-thigh, so her crossed legs and both feet fall below the bottom edge and stay out of frame. She sits squarely on a tall high-backed throne, spine straight, weight settled on her right hip; her right leg is crossed over her left knee, one bare foot tucked behind the opposing calf out of sight. Her long black dress pools over the seat edge and falls in heavy folds against the throne, the neckline cut low and wide across her chest to show a soft band of cleavage, the fabric painted in deep matte blacks with cool grey sheen only where the light bends over her collarbone and the slope of each medium breast. Very long black hair, blunt-cut bangs straight across her brow, pours past her shoulders and over the armrest; threaded through it, a few thin black snakes coil and rear just above her head, tongues flicking, their bodies sliding between the strands so hair and serpent share the same glossy black. A single larger snake is draped across the throne's armrest at her left, head lifted and turned toward the viewer, body looping over the carved wood and pinned there by her left elbow. Her face is turned straight to the lens: red eyes steady and level, a faint closed-mouth smile lifting one corner only, brows relaxed, lashes lowered a touch with amusement. Her right arm is raised, hand near her jaw, fingers loosely curled with the tips turned inward, the polished nails catching the light in alternating red and black. Heavy drop earrings hang from both earlobes, and a fine chain necklace with a dark stone rests just below her collarbones, glinting where the skin is brightest. The entire image is lit by one strong red source from directly behind, saturating a flat deep crimson field that leaves no room, floor line or furniture behind the throne; the throne itself and her silhouette are rimmed in glowing red, while her face and chest are lifted out of shadow by a soft, cool frontal fill that keeps the eyes and mouth readable. Where the red rims the snake bodies and the edge of the throne, the highlights stay thin and hot; her cast shadow falls forward onto her own lap rather than behind her, and the red ground swallows all depth beyond that wall of colour. Palette is closed to black, crimson and the small warm metal of the earrings and necklace, with the red and black nails as the only other accents. Everything is painted — no outlines anywhere; forms are built purely from soft tonal masses, smooth gradients and blending, edges dissolving into one another, the snake scales rendered as sheen rather than drawn detail, the dress as shadow shape rather than contour. Self-assured, faintly sinister.
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1girl, solo, very long hair, black hair, blunt bangs, red eyes, medium breasts, cleavage, black dress, earrings, jewelry, red nails, black nails, nail polish, closed mouth, smile, looking at viewer, hand up, sitting, sitting on throne, crossed legs, feet out of frame, snake, snake hair, red background, simple background, no lineart, A single seated figure fills the frame in a slight low-angle close-up that crops her at mid-thigh, so her crossed legs and both feet fall below the bottom edge and stay out of frame. She sits squarely on a tall high-backed throne, spine straight, weight settled on her right hip; her right leg is crossed over her left knee, one bare foot tucked behind the opposing calf out of sight. Her long black dress pools over the seat edge and falls in heavy folds against the throne, the neckline cut low and wide across her chest to show a soft band of cleavage, the fabric painted in deep matte blacks with cool grey sheen only where the light bends over her collarbone and the slope of each medium breast. Very long black hair, blunt-cut bangs straight across her brow, pours past her shoulders and over the armrest; threaded through it, a few thin black snakes coil and rear just above her head, tongues flicking, their bodies sliding between the strands so hair and serpent share the same glossy black. A single larger snake is draped across the throne's armrest at her left, head lifted and turned toward the viewer, body looping over the carved wood and pinned there by her left elbow. Her face is turned straight to the lens: red eyes steady and level, a faint closed-mouth smile lifting one corner only, brows relaxed, lashes lowered a touch with amusement. Her right arm is raised, hand near her jaw, fingers loosely curled with the tips turned inward, the polished nails catching the light in alternating red and black. Heavy drop earrings hang from both earlobes, and a fine chain necklace with a dark stone rests just below her collarbones, glinting where the skin is brightest. The entire image is lit by one strong red source from directly behind, saturating a flat deep crimson field that leaves no room, floor line or furniture behind the throne; the throne itself and her silhouette are rimmed in glowing red, while her face and chest are lifted out of shadow by a soft, cool frontal fill that keeps the eyes and mouth readable. Where the red rims the snake bodies and the edge of the throne, the highlights stay thin and hot; her cast shadow falls forward onto her own lap rather than behind her, and the red ground swallows all depth beyond that wall of colour. Palette is closed to black, crimson and the small warm metal of the earrings and necklace, with the red and black nails as the only other accents. Everything is painted — no outlines anywhere; forms are built purely from soft tonal masses, smooth gradients and blending, edges dissolving into one another, the snake scales rendered as sheen rather than drawn detail, the dress as shadow shape rather than contour. Self-assured, faintly sinister.
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