📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

윤니거

More to See

Comments

character: elysia_(honkai_impact), character: seele_vollerei, character: kiana_kaslana, character: raiden_mei, A medium shot, wide-angle view of Elysia, Seele, Kiana, and Mei gathering together on a bustling city street at night, posing cutely for the camera. All four girls are wearing unzipped short puffer jackets over revealing white camisoles with black lingerie visible underneath; the camisole straps are slid down off-shoulder, and they each wear white knee-length skirts and white hair ornaments. Elysia has long pink hair, Seele has multicolored hair, Kiana has long white hair in a ponytail, and Mei has long purple hair; they all have light dustings of snow on their heads and are smiling warmly. They stand close together, some leaning in or gesturing with peace signs and soft hand placements. The background is a festive winter scene with a massive, glowing Christmas tree, crowds of people, and thick snow accumulating on the ground. The night sky is filled with a dense canopy of bright stars, with a tiny silhouette of Santa's sleigh and reindeer flying far off. Soft, cold night lighting contrasts with the warm glow of the tree, featuring falling snowflakes and a joyful, magical holiday atmosphere.
Show Parameters
Original Prompt
인간의 율자, 엘리시아, 모두의 큰 가슴, 제레, 키아나, 키아나 카스라나, 라이덴 메이, 모두 숏패딩 안에 노출이 좀 있는 흰 나시, 지퍼 안잠군 숏패딩, 검은 속옷, 밤, 시네 길거리, 엄청 큰 크리스마스 트리, 눈 오는, 바닥에 눈 싸임, 다 모여서 예쁜척 하는 포즈, 흰색 머리장식, 무릎까지 오는 흰 치마, 나시 끈 오프숄더로 내림, 사람들 북적임, 엄청 많은 별, 작게 산타클로스 썰매와 루돌프, 머리에 쫌 쌓인 눈,
Mode
lite
Size
768 x 1280

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬