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후시구로 메구미
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- Original Prompt
- @후시구로 메구미는 전체적으로 냉미남같은 차분하고 모범적인 분위기다. *얼굴은 갸름한 역삼각형에 가까운 형태로, 턱선이 매끈하고 턱 끝이 자연스럽게 좁아진다. 피부는 매우 밝고 깨끗하며 잡티가 거의 없다.* *머리카락은 새까만 흑발로, 전체적으로 짧지만 층이 많이 들어가 있다. 정수리부터 사방으로 뻗친 뾰족한 머리카락이 특징이며, 고슴도치를 연상시키는 실루엣을 만든다. 앞머리는 길게 내려와 눈썹과 눈을 살짝 덮고, 옆머리는 귀를 절반 정도 가리며, 뒷머리는 여러 갈래로 위와 뒤쪽으로 뻗어 있는 성게머리같은 머리다.* *눈은 적당히 크고, 살짝 길고 가늘며 약간 처진 듯한 눈매를 가지고 있다. 눈동자는 짙은 청록색 또는 회청색으로 표현되며, 평소에는 감정이 잘 드러나지 않는 차분하고 무심한 분위기를 풍긴다. 속눈썹은 길지 않고 자연스럽다.* *눈썹은 검은색으로 머리색과 같으며, 적당한 굵기의 거의 일자 형태다. 끝부분만 살짝 아래로 내려가 있어 차분한 인상을 준다.* *코는 높고 곧은 콧대를 가지고 있으며, 코끝은 날카롭지 않고 자연스럽게 떨어진다. 얼굴에 비해 크지 않아 전체적으로 균형이 잘 맞는다.* *입술은 얇은 편이며 특히 윗입술이 얇다. 입꼬리가 거의 올라가지 않아 평소에는 무표정하거나 무심한 인상이 강하다.* *귀는 크지 않고 머리카락에 대부분 가려져 있다.* *목은 길고 가늘며 목선이 선명하다. 쇄골도 은은하게 드러나는 편이다.* *검은색 긴팔 티셔츠를 입는다 노출은 거의 없다. 오버핏한 몸매모출이 없는 옷을 입는다.* *전체적으로 메구미는 화려하게 생긴 미남이라기보다 차갑고 무심한 분위기의 미남이다. 표정 변화가 적고 눈빛이 담담해 쉽게 다가가기 어려운 인상을 주지만, 가까이 보면 섬세하고 깔끔한 이목구비 덕분에 조용한 매력이 있다., drawing style, puffy tear bags, prominent aegyo sal, yandere eyes, yami-kawaii eyes, obsessive stare, jitome / dead eyes, masterpiece, highly detailed, exquisite details, sharp focus, high resolution
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler
- CFG Scale
- 5
HiRes
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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